The Mach One speed is of course the velocity of the "wave" part of the sound wave.The details of each sound object is embedded in the instantaneous pressure which is seen on the vertical axis. The frequencies contained in the rich harmonic structure of each instrument is totally dependent on the delivery speed as being constant (seen on the horizontal axis as time domain). If the velocity slows down or speeds up then each and all instruments are shifted up or down the spectrum together by an amount of offset that stands out to the ear-brain system as "not real".
The entire performance has acoustic relativity - meaning if one instrument drifts in location, they are all drifting together.
It does by the way shift up and down the spectrum. This is how energy from the fundamental input signal appears (as distortion) a full octave away as the first harmonic.
My process does not have the problem of shifting anywhere because it is fully locked by the shift countermeasures implemented as nano-degrees of phase shift. It has a capture range of 0.07 nano volts max deviation.
It therefore has no mechanism in place to produce harmonic distortion.
Roger
The entire performance has acoustic relativity - meaning if one instrument drifts in location, they are all drifting together.
It does by the way shift up and down the spectrum. This is how energy from the fundamental input signal appears (as distortion) a full octave away as the first harmonic.
My process does not have the problem of shifting anywhere because it is fully locked by the shift countermeasures implemented as nano-degrees of phase shift. It has a capture range of 0.07 nano volts max deviation.
It therefore has no mechanism in place to produce harmonic distortion.
Roger