mmakshak
Earlier, someone quoted that bass below 100hz was mono. I had always thought or read it was lower(60 or 40hz?)
mmakshak
That was a linked quote from Frank Schroeder. I took it to mean as a guideline. In talking with engineers this number will vary depending on the situation.
Don_c55
imo - theory will only take you so far in this vinyl hobby. For me personally I have heard "lesser theory" designs outperform "better in theory" designs. Its comes down to personal knowledge and setup. Better designs have more potential.
i.e.
If we start with your first theory point.
1) Micrometer arm height adjustment that has index marks for VTA/SRA. Index marks are needed to ‘fine tune”, and go back to a previous setting, when the last setting was better.The last setting will always be better, if it was the one done with the cartridge alignment protractor. :^) We have already discussed here how all tonearms except one, will throw out the alignment with VTA/SRA changes.When making VTA/SRA changes you should reset alignment.
Rauliruegas
In the other side seems to me that we need some kind of friction at the tonearm bearing to" fight " in better way against all the LP imperfections: excentricity, waves and the like. Just an opinion.
Raul
fwiw - there is a damping fluid trough which is used with a paddle. Regarding your comment on friction - one can adjust the arm so that there is some friction ....if that is what you want :^)
During the arm setup you just offset the alignment a touch along the straight line. The limitation with the arm is if some one likes to play bad ass records. Severely eccentric records with runouts of greater than 1/8 inch. Nobody here is like that, right ? Even Bruce recommends in the manual to use a low mass pivoted arm if you like to play records like this.
Happy listening