Are Ohm-Walsh micros and 1000 series disrespected because of omni-directional design??


I never was a big fan of Omni-directional speakers because they are often disappointing.  I don't need the sound in back of me or 2 foot to my right or left.  However, I have seen many testimonials for Ohm -Walsh speaker on Audiogon, yet they are infrequently reviewed. 

Therefore, are Ohm-Walsh speakers disrespected because of  their Omni directional design??. I  noticed two issues on their website: 1) how do your determine which micro or tall column will be compatible for the dimensions of your listening area, especially if your listening area is only part of a larger room. 2)  A  buyer can easily mistake  the way they are priced. For example, the OW Talls (w-1000)  are $ 1000 each, NOT $1000 FOR THE PAIR.  So, that model is $2000 a pair, and there is lot of competition from conventional designed speaker, in that price category For example. the Golden Ear Technology. model 7, and the Magneplanar .07 both in the $1400-1500 price range and, some of the PSB towers, like the T-2 or T-3. or Monitor Audio recent series.. 

Would like some feedback about whether this Ohm-Wash design is disrespected  by the major audio press. Are  hardcore audiophile not convinced by the Omni-directional design and results, and so it never gets a f"air shake or serious audition,

sunnyjim
Jim,

Your observation is on point.  The current Ohms are less true to the original Walsh design than are the HHRs.  Just one question:

What makes you think that that is a good thing (for HHR)?

BTW, I've never heard the HHR.  For all I know, it blows away the Ohms.  I just don't assume that that's necessarily true.  Particularly on the basis that you've identified.  John S's variation is certainly less expensive to produce.  It's also less fragile.  Beyond that, you'd need to do a side by side to determine which design you prefer.  Outside of Mapman (and John Strohbeen), I'm not sure who is on a position to make that judgement.
sunnyjim,

I own the Ohm-Walsh 5000 so I cannot make a direct comparison with the Micros or the 1000s. Is the sound "...around the listener....not distinct or detailed...kind of amorphous or nonspecific in imaging or sound staging"? No, not if set-up correctly and I don't find that proper placement is difficult to achieve.

I'll not repeat in so many words what I think have been accurate descriptions of how the Ohms present music than have already been made by Map, martykl, polarin, and bondmanp. Each, in their own way, has done an masterful job of describing their experiences.

I agree with many of the comments above.
  • Most apt for me, which is why I will always keep them, is their being described as having a "sociable soundstage".  I rarely sit still and listen to an entire record.  I appreciate the fact that I can get up and move around and the soundstage does not completely collapse. 
  • I do enjoy I can move quite a ways to either side and still have a very "organic" presentation with remarkably "solid, stable imaging".
  • I can sit with my wife and we both agree the music has a "sense of weight and body".  You'll not have that experience with Maggies - at least for the both of you. 
  • It is definitely has  "non-fatiguing sound" which is very important to me.  I don't want speakers dictating the kind of music I need to listen to enjoy the experience.  If that were true, I would have to throw away a lot of my music .  And yes, I get as much detail as I need.
I'll chime in here because my very fist speakers were Ohm L's, (one of the classic bookshelf speakers of the seventies)  because I was an Ohm fan back in the day, I did have a chance to listen to several of their Walsh models.  They were very open airy speakers, that by today's standards would be paired with a sub woofer.  Nothing bad about the sound otherwise. The sound was somewhat like a electrostatic, in that you could walk around the speaker and  still feel, and hear the sound stage.
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History of of ohm including 80s distribution woes and move to direct only sales at the above link.