Raul, I can easily understand what one might like about the LPS. Thankfully, you've only criticized my friend's audio system, not mine, by implying that the system can get in the way of the wonders of the LPS. I probably can borrow his spare and listen to it on my own system, to give it a second chance. But bear in mind that I heard the LPS in a Durand Telos, the latest version not made of wood, if even the earliest Telos was made of wood. I also hear what you say about the UNIverse, but, sorry, a weakness of mine to like the verisimilitude that it provided and which the LPS did not in my one or two auditions of it. I heard the UNI as a little emphatic in the low to mid treble and maybe very slightly bass-shy, in the Talea, but there was real space around instruments and real 3D-ness. I would also say that as I recall we both share an appreciation of the best of the Transfiguration cartridges, just for that quality of neutrality to which you refer. So, we really are not far apart. And since you have given me so many other "good tips" on cartridges that I have come to like very much, I do respect your opinion. I find it interesting that others chimed in to defend the LPS, not just you.