Has anyone heard the new North American products preamp and amp?

Tbg wrote,

"geoffkait, I don’t think anyone said it was a final solution for the sweet spot. I never said anything about the sweet spot nor about the final solution. You cannot win an argument by changing the topic."

But it is what you two have been saying, by claiming that an amplifier can produce "live" sound in the room, the same "live" sound from the recording venue. I am simply pointing out that that statement cannot be TRUE because there are SO MANY PROBLEMS INHERENT in the home audio system that DISTORT  the sound, not just amplifiers. Follow? 

Roger wrote,

"If you showed a smart phone to someone in the 1600’s you would be burned at the stake for witchcraft.

This is a time of incredible advancements in technology.
Still - Dolby Labs with all there millions cannot duplicate what I have done.
They have to install 27 speakers in the theaters and artificially pan sounds through separate channels to "give you the thrill of being there".
That’s because they don’t know how to project a stable sound object into mid air."

It is nothing more than very expensive "fake".

This amplifying method is self-evident and will easily stand the test of time.
You can’t tell someone that "it’s impossible" or "you can’t do that" - after its already been done.

It is a moot point."

Perhaps you misunderstand what I’m saying. I’m NOT saying your amp doesn’t work. I’m NOT saying your amp is not the only amp that does what you say. I’m NOT even saying your amp isn’t an advancement. By the way I’m not very fond of the expression, "it will stand the test of time" since obviously one would have to wait a long time to actually find out if that’s true or not. We’re not there yet. So, actually, and I hate to judge too harshly, the statements you made in the paragraphs I just quoted are simply more Strawman arguments that mischaracterize my position and sidestep the issues I raised with respect to the great number of problems INHERENT in home audio systems that distort the sound and prevent it from sounding "live." Problems other than the amplifier. 

Take the product to Shark Tank and try and get an investment.

geoffkait,

But it is what you two have been saying, by claiming that an amplifier can produce "live" sound in the room, the same "live" sound from the recording venue. I am simply pointing out that that statement cannot be TRUE because there are SO MANY PROBLEMS INHERENT in the home audio system that DISTORT  the sound, not just amplifiers. Follow?

I think I may have found some common ground here. What you are saying is also true but here is the significant difference in the type of distortion.

Almost all of the "other" problems introduce static distortion as apposed to dynamic distortion.

This all relates to motion. If you take a picture and mount it on to a shake table (a vibrating platform) and turned it on -  what can you make out in the photo? Depending on the intensity of the vibration it will certainly be less than if you turn it off.

That is dynamic distortion which modulates the information.

Now take the same photo and this time just set it up straight with no vibration. However instead of straight on - rotate it a few degrees in one direction and leave it there. Now what can you make out in the photo?
Probably everything just fine - except it is viewed from an odd angle which stays at that angle. It may have a warp or change in perspective but even the warp is stable.

That is static (stable)  distortion that interferes with an unobstructed natural view.

Conventional analog amplifiers modulate the signal (velocity) flowing through a circuit at extremely small amounts and yes VACUUM TUBES do this LESS than SS but when you remove the modulation completely - it is day and night.

You cannot experience "live" sound in the presence of any modulation.
The velocity in the concert hall has zero modulation and your brain recognizes the stability of the air medium as authentic.

To stream this information into your ear canals at the perfect playback speed taps directly into the default process of the ear-brain system.

The reconstructed image of the source of the sound is easily uploaded to the mind when it enters the brain at the right speed.

Roger