I have mixed feelings about this... I have been using a HT based system for about 6 years - B&K Ref 50, BAT & Sherbourn amps, Dynaudio Countours for 7 channels, Rel Studio connected both high level & line level in a Rives Audio designed room optimized 50/50 for HT and stereo listening. Recently I bought a BAT 31SE here on Agon. Hooked up my B&K system thru the BAT in HT bypass mode, but also connected my Pioneer BDP-09FD directly to the BAT. I was shocked at how wonerful some of these DVDs & Blu-rays sound in 2 Ch, admittedly better than the 7.1 set up - and it was quite easy to do A-B testing by switching inputs on the BAT. Points of reference here were Roger Waters 'In the Flesh', Killers 'Live at Royal Albert Hall', U2 'Vertigo in Chicago', G3 (Satriani, Johnson, Vai). Perhaps some other media may sound better in 7.1, but musically, the stereo listening with these aforementioned DVDs just oozes with smoothness, clarity, weight, etc.
Two-channel is inferior to multi-channel, no?
I think that 2 channel is inferior, though, of course, my ears and reason may be mistaken.
Feedback please!
The obvious reason, I am thinking, it is that two channels are less representative of infinity (live music) than 3, 5 or 7, etc. This is the case even if the transducers, amps & speakers, and room acoustics, are perfect (dream on...) in the 2-channel mode.
In my own system, two Revel M-20s as center channel, vertically arrayed, with Revel M-50s on either side, there is the occasional CD (jazz is my thing) that sounds better in stereo, than with 5.1 processed sound, but this is rare. Most sound better with the center channel prominent (either in Dolby Standard or Music modes).
It's possible that I simply need better equipment.
But then why do I find that the best sound (in my system) is from digital sources, e.g. DVD, Blu-Ray, SACD, whether the sound reproduces music or movies. Would better equipment neutralize (and even flip) this negative comparison of stereo to multi-channel reproduction? If so, what is the explanation?
What I find in particular (for music and movies) that is that digital sources in multi-channel mode give full breath and focus to the center channel, placing this important sound component exactly where it should be: precisely in the center of the room. And giving the other channels 'room' to shine (though, in my system, given the amplification available, this should not problem).
What am I missing in theory?
Feedback please!
The obvious reason, I am thinking, it is that two channels are less representative of infinity (live music) than 3, 5 or 7, etc. This is the case even if the transducers, amps & speakers, and room acoustics, are perfect (dream on...) in the 2-channel mode.
In my own system, two Revel M-20s as center channel, vertically arrayed, with Revel M-50s on either side, there is the occasional CD (jazz is my thing) that sounds better in stereo, than with 5.1 processed sound, but this is rare. Most sound better with the center channel prominent (either in Dolby Standard or Music modes).
It's possible that I simply need better equipment.
But then why do I find that the best sound (in my system) is from digital sources, e.g. DVD, Blu-Ray, SACD, whether the sound reproduces music or movies. Would better equipment neutralize (and even flip) this negative comparison of stereo to multi-channel reproduction? If so, what is the explanation?
What I find in particular (for music and movies) that is that digital sources in multi-channel mode give full breath and focus to the center channel, placing this important sound component exactly where it should be: precisely in the center of the room. And giving the other channels 'room' to shine (though, in my system, given the amplification available, this should not problem).
What am I missing in theory?
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- 108 posts total
- 108 posts total