Just stumbled upon this thread, very timely too as I have recently at last, fitted my ART-9 to my SAEC WE506/30. I have been working on (and off - as time permits) a rebuild of a 1978 Sony TTS 8000 with the SAEC in my own plinth design. The plinth is currently at prototype stage to establish correct tonearm positioning as SAEC's own recommendations I assume are based around 7" singles, the 506 being manufactured for the broadcasting industry. I have sub 20hrs with ART-9 so far, but in line with many of you gents, I agree wholeheartedly that this is a significant cartridge at the price point, and also in comparison to far more costly ones. So far, I just feed it into my Clearaudio Basic phono stage, (which is staggeringly good value!) but in the next week a new Concert Fidelity SPA4c V2 will be installed which is a very concise amplifier. We used this at T.H.E show to much praise. (Disclaimer; I distribute Concert Fidelity products in the UK, but I am not here to 'promote' their products).
I did have some concerns over matching the ART-9 with the 12" SAEC, as the '9' is fairly compliant, but it seems that there are no issues at all to worry about and it tracks extremely well even at inner groove. It has a very concise and clean sound once the set up is perfect, and I did spend many many hrs working on the CAD model to ensure geometry was correct, and it pays me back each time I have played an LP so far. Once the plinth design and materials are finalised and machined / built, the ART-9 will be well past 100hrs use and the CF stage will also be in use, so there is more to come from this little beauty.
VTF seems good around 1.7 - 1.75 gms for me, how does this compare for other users here? Also, the CF stage offers 100 or 200 ohm settings ( +30 & 50 ohm), I start out with 100 AT recommend to begin with though..
ATB,
Paul.
I did have some concerns over matching the ART-9 with the 12" SAEC, as the '9' is fairly compliant, but it seems that there are no issues at all to worry about and it tracks extremely well even at inner groove. It has a very concise and clean sound once the set up is perfect, and I did spend many many hrs working on the CAD model to ensure geometry was correct, and it pays me back each time I have played an LP so far. Once the plinth design and materials are finalised and machined / built, the ART-9 will be well past 100hrs use and the CF stage will also be in use, so there is more to come from this little beauty.
VTF seems good around 1.7 - 1.75 gms for me, how does this compare for other users here? Also, the CF stage offers 100 or 200 ohm settings ( +30 & 50 ohm), I start out with 100 AT recommend to begin with though..
ATB,
Paul.