What is best turntable for listening to Rock from the sixties like Led Zeppelin?

Atmashere, you amps are good and that's about it. Stay within your area of expertise. The source of music is mind not an instrument.

I know, as I guess any Zep fan does, that Page used a Tele on Zep 1 with a small overdriven amp. When he started using Les Pauls, I think he overdrove them by using the Echoplex preamp into the amps- Marshalls? Live -very loud.
Reproducing that at home- OK.
Source?
What I hear on the various pressings is differences in emphasis- the Classics, particularly the 45s (I only have Zep 1 and IV on Classic 45) have detail galore, but are a tad bright to my taste- very much a modern sound. The UK of III is pretty yummy, as is the UK of II (both early plums, my III is a Peter Grant credit so it is a very early one, my LZII not a first UK, probably a second). Everybody likes the US RL of II which does kick ass, but the plum of II is underrated. For 1, which I probably have the most copies of-- though I don’t have a Turquoise first, I have an early one with essentially the same lacquer info--it is bested by both the ’74 US Piros remaster and a Japanese third pressing, which is pretty impressive. The Piros is very ’of a piece’- cohesive, in the sense that it all fits together- it doesn’t have the bass power or punch of Zep II, but overall, it and the Japanese pressing are currently my preferred copies- nothing seems over emphasized. I don’t really want to shell out the bucks for a Turquoise LZ 1, but if anybody has directly compared one to some of the other Zep 1 pressings, I’d be interested in their impressions.
It’s too bad the Zep catalog wasn’t better recorded.

So, Wolf, have you gone to hear David Lindley do his one man shows? He is out and about again. Killer player, great range of stringed instruments. (And, not too loud, which always kills it for me- he used to use a Dumble but I think he just uses the house system for all these oddball instruments). And, he's great fun to talk to- very old Los Angeles, before everybody got so caught up in things. 

IMHO, tables and arms are built for neutrality. Not that all are good at this. Cartridges are to, however, they miss the mark......and some more than others. What they do well, or not so well, may in fact make them suitable as a tone control.

But unless you have unlimited funds and a large space for several tables, I still believe that searching for a table, to use a a specific tone control is not wise for all the reason stated.

No one is saying that equipment can't have qualities suited for what you might consider a flawed album but the solution presented creates more problems then it solves.

Stick with swapping out cartridges or go out and buy an EQ.