music. on vinyl

czarivey-
I certainly cannot disagree with any of your points. No, it doesn't make life easier. I'm just trying to minimize the disappointment I've experienced with some, but by no means all, new issues by trying to understand it with some empiricism. Is it DDA? Is it lack of quality remastering for the transfer to the vinyl space? I don't know for certain, but that theory at times seems to cover some data points. I know to "never say never", or "never say always"; and that there's no "end all do all".  The good news? It hasn't kept me from expanding a music collection that is already probably too large.

I own several MOV titles and from what I know they are mostly from digital files. (On their website, the Simon & Garfunkel Box is supposedly from the analog tapes). This hasn't/doesn't stop me from buying more titles as they really sound very good.

I heard a couple of their pressings and didn't like them at all.  Purchased the "When Harry Met Sally" Soundtrack Harry Connick LP and hated it.  Definitely was a digital sound and copy.  I then bought an original pressing from 1989 on discogs and could instantly tell the difference.  Can't comment on a lot of their pressings, but they don't seem to care about getting original master tapes which always concerns me with it not being an "analog" sound. 

I have Madeline Peyroux "DREAM LAND" on MOV and it is outstanding!

I have arround 100 ++ M.O.V albums, and 99% of them are very good(vinyl quality and sound quality), and the last 1 procent is a bit better then the crappy sound on the original pressing...... so I would recomend M.O.V pressings!!