Bob Dylan MoFi


Heard from a very reliable source that Mobile fidelity Sound labs will be releasing a set of Dylan Lps in Mono in the coming months. Time to open the wallet once again. 
fromunda
No disrespect intended but...I really got a belly laugh, reading the banter between ps & geoffkait.

The Original Mono Recordings box set IMO, would be hard to beat for sound quality.

Bob's 60's recordings are much better sounding than almost all of his subsequent ones (one notable exception being Planet Waves, recorded in late '73 with The Band at Village Recorders in Los Angeles, released in early '74. It has just been released on LP and SACD by Mobile Fidelity, and sounds like the microphones are plugged straight into the recorder, played and sung live, with no overdubs and very little electronic enhancement), made during the time the art and engineering of recording was heading in the wrong direction---solid state boards, mics with "tailored" responses (the Shure SM57 and 58, for recordings? They were designed for live vocals, with a built-in presence peak to aid intelligibility on stage), many, many "effects" boxes (limiters, compressors, expanders, electronic reverb and echo, phase shifters, equalizers, etc.) inserted in the recording chain, and finally "new school" engineers taking the place of the dying and retiring WWII radio engineers who had Hi-Fi standards in recording and reproduction. The new school "engineers" fidelity standards are relative, not absolute.

The worst sounding Dylan albums are those produced (and engineered) by the worst-of-the-worst, Daniel Lanois---Oh Mercy and Time Out of Mind. TOoM sounds like the music is coming through the wall from the next room---one of the worst sounding albums I have ever heard. And it garnered Dylan his only Grammy! After Lanois, Bob started producing himself, as "Jack Frost". Much, much better.

Here’s a bunch of Dylan CDs and vinyl taken from the Unofficial Dynamic Range Database. See if you can correlate a good sounding recording of Dylan’s with Dynamic Range numbers. The number 14 is the beginning of the GOOD dynamic range. Numbers lbetween 8 and 13 are TRANSITIONAL and Less than 8 represents BAD dynamic range. The 3 numbers represent AVG, LOWEST and HIGHEST dynamic range for the recording. 

Bob Dylan Slow Train Coming [Vinyl] i 1979 15 14 17 lossless Vinyl

Bob Dylan Slow Train Coming i 1979 15 14 17 lossless CD

Bob Dylan Slow Train Coming [HDT 192-24] 2015 12 10 14 lossless Download

Bob Dylan Blonde On Blonde i 1989 13 12 15 lossless CD

Bob Dylan Blonde On Blonde [Sony SACD 5.1] i 2003 13 12 14 lossless CD

Bob Dylan Blonde On Blonde [MFSL SACD] i 2013 11 10 14 lossless Unknown

Bob Dylan Saved i 1990 13 13 15 lossy CD

Bob Dylan World Gone Wrong i 1993 13 11 15 lossy CD

Bob Dylan World Gone Wrong i 2013 13 12 15 lossless CD

Bob Dylan Love and Theft i 2003 08 07 10 lossless Unknown

Bob Dylan Love and Theft 2001 08 07 10 lossless. Unknown

Bob Dylan Infidels [vinyl] i 1983 16 14 17 lossless Unknown

Bob Dylan Infidels [Remastered] 2003 13 11 15 lossless CD

Bob Dylan Modern Times [vinyl] 2006 10 08 11 lossless Unknown

Bob Dylan Modern Times i 2006 07 06 09 lossless Unknown

Bob Dylan Blood On The Tracks. 1991 12 11 15 lossless Unknown

Bob Dylan Tempest i 2012 09 05 12 lossless Unknown

Bob Dylan The Freewheelin’ Bob Dylan (The Original Mono Recordings) i 2010 12 11 14 lossy CD

Bob Dylan Shot of Love i 1989 13 12 15 lossy CD


geoff kait
machina dynamica




geoffkait,

Thanks for correlating your moniker with your company name. I, like many, were unaware of this.

Enjoying the springs!
FWIW, here's my comparison of my two pressings of "Nashville Skyline": My original pressing vs. MOFI 45rpm.

The first thing I always notice when looking at the cover art, Bob is smiling!!! This is very rare. On this lp and John Wesley Harding, he is smiling and seems to be having fun. (Maybe a coincidence that these are two of my favorite lps from Bob). This may be a sign of good things to come on this lp, right?

The other most notable difference from his earlier lps is that he's changed his vocal style for this effort. I suppose it is in keeping with the subject matter. Still, it shows his versatility.

The first track, "Girl From The North Country" is the stand-out song sonically. (As with most cuts that are recorded in different venues over a span of time, some sound better). (The other is "Lay Lady Lay").

On "GFTNC": From the very beginning, it is apparent from the very first hit on a drum, the very first guitar stroke, the very first time you hear a vocal, that the transient response is on a whole different level. This may be off-putting for purists but very rewarding for those of us who enjoy such gymnastics in our own listening environment. I find it to be very rewarding!
The vocals that Bob and Johnny display are very naturally laid out. This is another pleasing aspect I find here. ( If one was to be hyper-critical, one could make the case that upon listening to this 47 year old recording that, this 45rpm lp, brings out the instruments in a way that still portrays the vocals in that other space in time.) Just an observation.

"Nashville Skyline Rag": This one just envelopes you from the beginning like never before! The bass response is very good and the music creeps around the side walls to just draw me in. Wow! I never would have expected this in my wildest dreams. Good things do come to those who wait?! (BTW, I've had this one on order since Aug. of 2013.)  Can you tell I'm feeling all warm and fuzzy?

(The first lp, came dished, so if I think upon listening that it will translate into another listen after flattening, I'll report back.) (Actually, both lps are dished)    MFSL: Are you paying attention?

"To Be Alone With You", is obviously a small step down sonically. However, it is two steps up from my original pressing.

"I Threw It All Away": Ditto from above.

"Peggy Day": The additional guitar and the upbeat pace, seems to uplift  this track from the past two, in that sense. These three songs are of lesser sound quality but compared to the original pressing, far and away better!

Side 2. No, wait, Side 3, (this is a four sided, 45rpm record, I almost forgot!)

"Lay Lady Lay": This is THE track we've all been waiting for, right? Smooth, silky, and more "studio like" in the sense that the surrounding ambience is prevalent and enjoyed by me. ( By the way, the ambient retrieval is just one more reason to have this lp in your collection!)

"One More Night", "Tell Me That It's Not True", same sonics as described above for "To Be Alone With You" & "I Threw It All Away".

"Country Pie", This track has me tapping my feet and doing the "head nod" from the very beginning! It is a more upbeat song and sonically, a notch above the last several tracks. It just ends too soon..

"Tonight I'll Be Staying Here With You": I have to say this one is in keeping with the last track in that it is more open, present that some of the past tracks.

This has been a fun time listening to the differences in this lp as described above. I hope you will take it for what it's worth and decide for yourself if you're willing to pay a premium for the positive aspects of this lp, vs. the high price and the fact that it will need flattening.

Now, bdp24, I'll be re-listening to my copies of "No Mercy" as it use to be my "go to" lp for sonics, a VERY long time ago. I know things change, but I'll report back.

I hope you all have found this enlightening?

( My senior moment... I was going to re-read my post before actually posting, but I decided that any mistakes in spelling would be relegated to a AARP moment, and all will understand.

Cheers! Now back to listening.