The Marantz is fine as a pre/pro for music. If you aren't happy with the onboard DACs, just have your CD/SACD player do the work and use the "pure direct" or "direct" feature. This feature takes the Marantz out of the picture, so to speak, and directly passes the signal to your amp.
I'm not saying it is as good as a Modwright or anything like that, but I don't believe there's any coloration of the sound by the Marantz while in one of the direct modes. What is nice, for me at least since I use monitors for the front L&R channels, is that it will send the low frequency info to the sub channel, even in "pure direct".
The feature set of the Marantz makes it nice for non-critical listening/background music via Apple airplay, Pandora, etc., etc. I've been extremely happy with my Marantz 8801 pre/pro.
adg101: I'm curious as to your comment on the AR 100.2 sounding closer to a tube amp than any SS amp except a Pass Labs amp. I'm actually looking at a couple of old Pass Labs multichannel amps (X3 and X5). My Arcam P1000 (135w/ch x 7) is in the shop due to the soft on/off circuit taking a dump (I'm hoping that's it) so I'm proactively shopping (e.g., feeding the upgrade-itis) for other amps. Since my front monitors are extremely revealing (ATC SCM 19v2), a sterile amp isn't what I'm looking for. The ARs and Pass are of interest, but I need some headroom to drive the inefficient ATCs in my large listening space. The A51 Halo is also a contender, but based on your comments above perhaps I'm better off looking at an AR or Pass amp and then something else for the remaining channels since those speakers aren't nearly as capable as the ATCs.