Dual Differential / Balanced?


Hey all I’ve got that itch to upgrade power amps, and was wondering how valid the dual differential aka "balanced" monoblock or dual mono design is in terms of increasing fidelity compared to a conventional SE amp. note my preamp is also fully balanced

how much noise is avoided by using a fully balanced system?

right now I use 2 haflers horizontally biamping NHT 3.3. using mogami gold XLR
p4000 200wpc mids/highs p7000 350wpc lows

from what I’ve read it only matters if both the preamp and power amp are both truly balanced

I have a nice Integra Research RDC 7.1 fully balanced pre/pro, it was a collab with BAT, I would go for the matching RDA "BAT" amp but its pretty much unobtanium

So far I’ve looked at classe ca200/201, older threshholds, older ksa krell, as fully balanced monoblocks/ dual mono stereo

I was also told to look at ATI amps, they look very impressive but expensive

I’m looking to spend 1500-2500 preferably used products, I dont have an issue with SE amps I just want to exploit the fact my pre is fully balanced, and perhaps get better sound. If anyone has recommendations for awesome dual differential power amps. the NHT 3.3 are power hungry so at least 150wpc, class A/AB

I’ve also come across the emotiva XPA-1 monoblock, I can get a good deal on one of them I wonder if its worth picking this up and praying for a lone one to come on classifieds on ebay- note this is the older model in the silver chassis 500wpc 8ohm / 1000 4ohm

for context prior to the realization that I should use a fully balanced system I was looking at brystons and mccormack amps.. thanks
nyhifihead
Al, I was looking at overall output impedance that speaker generated EMF sees, and that would be double.
Thanks, Kijanki. When I commented about the doubled output impedance question I had lost track of the fact that you were addressing power amplifier outputs. Yes, **everything else being equal** the load applied by an amp to back EMF from a speaker will be numerically doubled (corresponding to half the damping factor) if the outputs are balanced compared to if they are single-ended. Although in the case of most solid state amps, at least, that is unlikely to matter since their damping factors will be sufficiently high for most speakers anyway. Notwithstanding the belief among many audiophiles that, for example, a damping factor of say 500 may result in better bass control than a damping factor of say 50, everything else being equal. I know from many of your past comments about damping factor that you would agree with my disagreement with that popular (mis)conception.

Regarding your last comment, I believe you are envisioning a balanced amp configuration that is used in some designs in which each of the two input signals in the balanced input pair is processed through its own signal path throughout the amp, that is independent of the signal path through which the other input signal is processed. While I believe Ralph is addressing the configuration used in his (and other) designs in which each stage of the amp, including the input stage, is a differential amplifier that responds to the difference between the pair of signals its inputs are provided with. And I believe that your comments and his are each essentially correct in the context of the kinds of designs each of you is envisioning.

Best regards,
-- Al


Kijanki,
Thanks for your interesting and informative comments here. Listening confirms many of your points regarding real life sound quality. I appreciate the theoretical advantages of differential balanced circuits. Coincidence or not some of the very best sounding Amplifiers I've heard were simple unbalanced circuits with RCA  cables. As you and Al  point out  implementation is a very major factor. 
Charles, 
thanks so much for the replies, I'm learning a lot.

sorry for the lack of circuitry knowledge, most of my info is based off of forums like these and it seems the way people describe balanced is tossed inconsistently, I just got schooled though!

I thought the RDC 7.1 had a balanced design because the dacs are dual differential PCM1704, and because BAT had a hand in developing.

The matching Integra research/BAT RDA-7 power amp I know is fully balanced, so I assumed that they would make the pre/pro to match

I've had McCormack/Pass on my mind, how are the classe balanced input?

also does anyone know how good the circuitry is on the emotiva XPA-1? it claims fully balanced and looks impressive

thanks
Al, I agree, that was invalid point - double DF doesn’t make much difference in most cases. As I stated in my older posts speaker’s impedance is mostly resistive and it is in series with back EMF reducing max possible DF to about 1. As long as amplifier doesn’t destroy it too much it is OK. Some of Ralf’s amps had DF<1 sounding fine.

You are right that I assumed two independent amps in differential mode - that’s different from balanced. In order to make identical gain stage in each amp they have to reference each other (like in the first stage of instrumentation amp) instead of being ground referenced. In that case amps aren’t really independent as I thought they should be. Noise rejection in such design should be great but it is not worth extra expense IMHO. Single ended amps with balanced inputs might have great noise rejection as well, while better components can be utilized for the price of fully balanced design.
Charles1dad, Thank you.  I often engage in discussion with Al or Ralph to learn more.  It is difficult to understand why particular architectures are being implemented since it is often fueled by demand.  I like to understand technical merits of design but sound is the only proof.