Anyway, stand alone tonearm pod or not in both " configurations " exist
distortions of many kind. Wich configuration puts us nearer to the
recording?, this's the question and main subject.
This is actually easy to measure! We do it with a silent disk, cut on our lathe, which is much quieter than normal vinyl. All we have to do is place the turntable in a room with speakers playing loudly and then measure the output of the cartridge. The fact that turntables that employ a separate arm pillar are more noisy then 'tables with a proper plinth is easy to see on the 'scope.
What is the vertical angle being cut into the disc where you work ?
In theory the ideal is 92 degrees. In practice, its **about** 92 degrees. This is so because not all cutting styli are identical. They only last about 10 hours before no additional heating of the stylus will keep them quiet, so they have to be replaced. This is a bit of a procedure! Once in place the cutterhead has to be set up from scratch. This is because the previous settings that worked with the first stylus are not going to be the same with its replacement. The technique for setting up the stylus involves a lot of measurement, but an exact rake angle is not actually specified in any of the manuals. What is important is that the stylus be able to cut a silent groove. So after making an adjustment that's exact what we do, then play it back and measure the noise floor. When the noise floor is the noise of the electronics and not the surface then we know we are in the ballpark.
From this you can correctly infer that no LP is cut at exactly 92 degrees, instead, all LPs are cut at **about** 92 degrees. Its an approximation that results from the way the cutting stylus itself (which is made of sapphire) is cut.