By comparison, I think the Magico's are far better built than the Focal's, which is why I was so bent out of shape. Bent pressboard cabinets, miniature, underdamped tweeter motors and crossovers deliberately designed to create a low impedance in the Focals does not create a high value proposition for me, even if I think I can hear the Archangel Gabriel on the other side of the speaker.
Magico speakers, whether I like the sound they produce or not, are class acts all the way, from the quality of the drivers, integration and crossover components. I could argue the internal wiring is "bargain" but I can't argue it's substandard by any means.
As for the room, I have to say, if Magico couldn't produce the absolute best sound in their amazing listening room with $200K tube amplifiers, where does that leave anyone else? That very wide listening angle in particular is something I think purchasers should consider. This would be a $5,000,000 purchase for me. I'd have to not only buy the speakers but a house with a room big enough to do them justice, so for me it's a weird little combination for the particular use of long-term critical listening. Also, your own ears matter a lot. Mine are really good for being nearly 50, so I'm a lot more sensitive to treble uptilt than others my age, and that lower male voice / piano I heard was just a little extra. .
Mind you, your ears and your room should be a better judge as to whether the Magico's should make you reach for your wallet or not. Please go listen to the Magico's yourself. My posting should help you avoid what I thought could be buyer/speaker mismatches that the dealer and current crop of professional reviewers would probably leave out.
A good question was what do I listen to. I listen to custom speakers using parts from Mundorf, Scanspeak and measurably flat and with very low distortion. The good folks at Raal traded help with me do some of the measurements so I know what I am used to listening to is pretty neutral, and distortion free, and free of current high-end fads or signatures. So if you are used to an uptilt in the treble, the S1 may sound very neutral to you.
Again, not really interested in proving the value of the S1, just sharing how I would describe them in the hopes that everyone who buys a pair loves them for a long time. :)