Cartridge help: Ortofon Cadenza vs. Soundsmith Paua

I understand what your saying, and it comes down to semantics and terminology.  I was ok with liveliness and dynamics, which is why I stated "overly dynamic and overly lively" is my original post.  I have to disagree with you about the system causing the listening fatigue without the possibility of it being the cartridge.  We all have preferences and every cartridge brings something to the table.  Some cartridge are overly dynamic but have  a shrillness/brightness on top that can be overbearing to my personal tastes.  This is why I stressed these points in my cartridge search.  

I have decided against the Ortofon Bronze, and am looking at the Transfiguration Axia more and more now as well.  I'll let you know what I decide on.  Thanks for your feedback!

Djfst-I see you're  still on your quest. Another cart worth considering is the Kiseki. 
Recently heard the $3200 Purlpleheart on a VPI Avenger plugged into PL separates @ The Show in SoCal. This was the distributors
room-Upscale Audio. Their room always sounds great. 
I heard a very convincing/realistic presentation with no emphasis 
on either end of the sonic spectrum.

Not mentioned earlier regarding the "value" 1K ART 9.
HW  has acknowledged it a good match for their arms. Other than comparing the 2 on my system with 2 arm wands, I can't imagine hearing even the $1200 difference of the lower end Kiseki Blue vs the ART 9? Keeping in context of the entire system, with your setup that difference possibly more significant.
Mine, not so much.

Great stuff, table jockey.  The Kiseki was on my list too, but talked with a friend who had the Kiseki and he thinks the Transfiguration will be more to my taste (he owns the Transfiguration Proteus on a VPI HRX table).  My dealer has a demo Transfiguration Axia he is going to send with my Avenger next week.  I have a couple weeks to try it and see if it is what I'm after.  If so, I'll order one.  If not, I will look to the Soundsmith Paua or the Kiseki.  Thanks for the help. 

Dear @djfst :  """  I have to disagree with you about the system causing the listening fatigue without the possibility of it being the cartridge  """

I respect your stament. I'm still with my post where you can read:

"""  top/decent cartridges and listening audio system at " normal " home SPL . """

where if the tonearm/cartridge set up and cartridge electrical/mechanical set up was made accurately and the cartridge is already with at least 150 hours of playback then there is no doubt that the " fatigue " ( we are talking about. ) comes from other or other links in the system audio chain.

Please read the 3-4 last posts in this thread with a cartridge that outperforms almost all the cartridges mentioned in your thread:

https://forum.audiogon.com/discussions/calling-all-vdh-colibri-fanatics-and-experts

this cartridge is a " pain in the ass " way before you really can enjoy it. VDH knows that and that's why they asks to return it after 300 hours for its fine tunning but after this FT it's just marvelous.

Anyway, the cartridge choice is a very personal choice. Good luck.

Regards and enjoy the music,
R.

One additional thing I would consider is repair/rebuild costs.  Lyra has a pretty tough repair price structure as has been discussed here a while ago.  That policy led me to look at Ortofon and SoundSmith.  Peter has fixed his repair costs at what seems a reasonable percent of the purchase price and Ortofon's price to rebuild their cartridges is far less than what was reported Lyra's was.  As I am not a detail freak, I would think sticking with either Ortofon's offerings or SS's would be the way to go.  While I'm not in the pay grade to afford your choices new, I went with a pristine Ortofon Jubilee and am happy with that choice.  I am hoping to purchase a mid-level SS cart in the future as he deserves to be supported and I've loved the sound of both the Strain Gauge and Hyperion cartridges through his electronics and his smallest speakers.  Impressive to say the least!