Al,
I understand your points. I guess I was presuming if a person was going to take the step of using a wire with superior properties (capacitance, inductance et. al.) they would take the steps to engineer the system holistically.
Taking things one point at a time.
1) Ground Loops-- The key to avoiding ground loops is ensuring equal electrical potential at each receptacle ground. The concept that the emi rejection method of a premium spec wire (be it twisting or otherwise) would cause a variation in potential, I suppose is possible, but to me that would indicate the wire by definition was not premium spec. to begin with. Certainly there are wires with tighter geometric tolerances than romex that would quickly render this concern moot as far as the pursuit of improved overall performance is concerned. (As an aside I use a furutech star ground harness which runs directly from my 5 neutrals 3 feet behind my listening wall to a 1" solid copper 8' grounding rod. It does the trick.)
2) RFI/EMI Filtering-- Of course romex has higher inductance and of course inductance cleans up high frequencies but that would be a blunt (backwards) approach to addressing the problem. I would much prefer wire with both inductance and capacitance thereby maximizing current delivery and clean things up with a purpose built device. ( I use a 75 amp Torus ahead of my 20' 10 gauge Furutech lines. It cleans things up with precision as opposed to hoping my wire is long enough and poorly engineered enough to solve the problem.)
3) Bad is Good Rationalization-- Regarding Steve's stuff, the arguement that taking sound engineering steps to improve the performance of one aspect of a system is a bad idea because it might display the other areas of the system that need improvement has never made any sense to me as it relates to audio or system design generally. How does one ever make progress employing such a mindset?
4) Analog Signals and LCR Tuning-- Yes lots can be done to dial in bandwidth and noise on analog signals to taste. That is why I specifically referred to AC wires in my question.
5) System Predictability-- I would agree predictability is low if system inputs are somewhat randomly assembled, but I would argue results become far more linear (and in fact measurable) when proper science is used in the initial system specification. Again, this holds true in audio as well as system design generally.
I understand your points. I guess I was presuming if a person was going to take the step of using a wire with superior properties (capacitance, inductance et. al.) they would take the steps to engineer the system holistically.
Taking things one point at a time.
1) Ground Loops-- The key to avoiding ground loops is ensuring equal electrical potential at each receptacle ground. The concept that the emi rejection method of a premium spec wire (be it twisting or otherwise) would cause a variation in potential, I suppose is possible, but to me that would indicate the wire by definition was not premium spec. to begin with. Certainly there are wires with tighter geometric tolerances than romex that would quickly render this concern moot as far as the pursuit of improved overall performance is concerned. (As an aside I use a furutech star ground harness which runs directly from my 5 neutrals 3 feet behind my listening wall to a 1" solid copper 8' grounding rod. It does the trick.)
2) RFI/EMI Filtering-- Of course romex has higher inductance and of course inductance cleans up high frequencies but that would be a blunt (backwards) approach to addressing the problem. I would much prefer wire with both inductance and capacitance thereby maximizing current delivery and clean things up with a purpose built device. ( I use a 75 amp Torus ahead of my 20' 10 gauge Furutech lines. It cleans things up with precision as opposed to hoping my wire is long enough and poorly engineered enough to solve the problem.)
3) Bad is Good Rationalization-- Regarding Steve's stuff, the arguement that taking sound engineering steps to improve the performance of one aspect of a system is a bad idea because it might display the other areas of the system that need improvement has never made any sense to me as it relates to audio or system design generally. How does one ever make progress employing such a mindset?
4) Analog Signals and LCR Tuning-- Yes lots can be done to dial in bandwidth and noise on analog signals to taste. That is why I specifically referred to AC wires in my question.
5) System Predictability-- I would agree predictability is low if system inputs are somewhat randomly assembled, but I would argue results become far more linear (and in fact measurable) when proper science is used in the initial system specification. Again, this holds true in audio as well as system design generally.