Hi Norm,
When I first set up my Victor and armpods, I supported the turntable motor with its own metal shroud on Tiptoes
http://i.imgur.com/Xp97BF8.jpgThis at first sounded better than most tables I had previously heard but I thought I could do better than this makeshift arrangement.
So I designed and had built, a stainless steel cradle
http://i.imgur.com/UuEyECm.jpgwhich had adjustable spike supports and three rubber supporting pads on top to rest the motor assembly
http://i.imgur.com/2FH8xGR.jpgThis was indeed an improvement in rigidity over the previous model, however after a few years, I discovered that the lightweight nature of this supporting structure allowed for accidental movement of the geometrical relationships vis-a-vis the massive 24lb armpods.
So I designed a circular ’plinth’ cut from a single solid block of granite and polished
http://i.imgur.com/ouvBGRN.pngI lined the inner surface with cork to absorb the electro-magnetic waves bouncing around from the transformer, power supply and motor unit and had the same three rubber ’button’ supports fixed to the top to support the motor unit itself
http://i.imgur.com/h673918.jpgThe improvement in sound was revelatory and confirmed the fact that Newton’s third law of motion (For every action there is an equal and opposite reaction) applied to the motion of turntables.
The centrifugal force of a spinning platter must be resisted by enough ’mass’ to avoid movement.
http://i.imgur.com/ddKNHVx.jpgThis is more readily seen in a suspended turntable where the centrifugal force is not resisted and must create movement about the sprung suspension.
The Kronos turntable with its two counter rotating platters effectively solves this problem for suspended turntables.
http://media.tas.zeitpress.com/articles/images/JH%2011%20The%20Kronos%20Sparta%20turntable%20comes%2...With an unsuspended mass-loaded turntable of any kind, that centrifugal force is absorbed and thus resisted by the mass of the supporting structure.
The sonic effects of this added mass to the TT-101 in my situation, is a tightening of the presentation together with a relaxed delineation of the entire soundstage and instrumental focus.
The detailing snaps sharply and the lower registers plunge solidly with an unwavering pitch and tunefulness.
And as a bonus.....the geometrical relationships to the solid bronze armpods remain static 😘
Regards