Synergistic Red Fuse ...
Andy ... Our systems are apples and oranges. I'm so old school, I didn't understand a word of what you said. *lol* I have no clue when it comes to the digital download/hard drive stuff. I think the problem is, at this juncture, I'm so old I'm still amazed that airplanes can fly without propellers. It doesn't matter though ... its all about the love of the music. Hey guyz ... how about some Cal Tjader and Stan Getz? https://www.youtube.com/watch?v=ALs8bfhB6B0&list=RDALs8bfhB6B0#t=105 It was a Billy Holiday night at my place tonight. Even her marginal recordings were moving. Only a few of the greatest song stylists could turn a phrase like Billie Holiday. OP |
Reporting again on my system conversion from SR Reds to SR Blacks: A couple of weeks ago, the Blacks went into my Maggie 3.6R's to reach a new plateau of clarity and sound stage. The Maggies have always been the place of the most dramatic improvements compared to the AC mains in my CDP and amps, but here, the Blacks are a close second. I had installed the Black into my Wadia just two days ago and, today, into the mains of my ARC Ref 210s. Rather than wait, I thought best to break all three in together. The Blacks are sounding better than the Reds with no burn in--they are that good in rendering more information, and I suspect they perform well sooner because of full AC current. The sound is clearer yet--liquid, wet, silky. The bottom end is fuller, extended. With seven Blacks performing in AC power supplies and directly in the speaker signal path, there is a transformation nothing short of a major component upgrade, perhaps two components. The SR Black fuses are the best single tweak I have ever added, and this is the fifth fuse improvement I have experienced, each better than the previous. I can imagine SR's next fuse, one with even more graphene---yes, I would buy yet another round of SR's if offered. |
Okay I consider myself a student of Thelonious Monk, of both his playing and equally for his compositions. Simply put I have the upmost admiration and respect for his enormous talent and contributions to jazz music. Two guitarists payed tribute to Monk with recordings dedicated to his music. They’re both top tier musicians who approach jazz guitar with distinctly different but equally superb ability. For any of you familiar with Monk’s music I believe that you’ll truly appreciate these two excellent interpretations done in the spirit of Monk. Both are trio settings with drums and acoustic bass. Well recorded and more importantly, beautiful musicianship. Peter Bernstein, "Monk" Bobby Broom "Bobby Broom Plays For Monk" Charles, |
