You know, while I like PF some effects take having everything dialed in just right. Anything less and you miss a good portion of what's in the album. On the one hand, this means the producer got very creative, but on the other it means lots may miss what's on the track. It's like a movie where only the best systems produce all the dialogue.
It makes me wonder what kind of speakers and set up they were mixed with. The PF Albums I can think of were definitely not mixed for ghetto blasters, unlike a lot of early digital albums.
Best,
Erik