Cable Controversy

@hifiman5, I think you need to read my post again.  

Regarding your post, you say "the wire in the amp is one of many designed for a specific purpose" (or more realistically, price point).  Also, when your binding post broke, you followed someone's advice and replaced the conductor.  That's fine.   Replace the conductor with whatever you want.  Replace it with something that's $1,000 per inch.  MY point was, in order to hear the most truthful representation of your new and improved amplifier, theoretically, you would need that same conductor going to your speaker.   You repeat the word "faithfully" numerous times in your post, also mentioning the word "integrity".  The only conductor that will do so, is the one in your amp.  NOT some boutique cable costing thousands of dollars.  Obviously no one will do this, I'm just trying to make a point.  

When used properly, cables can balance out a system very well.  If an amp is too warm or dark sounding for the owner, he/she may add a cable that livens up the highs or opens it up a bit, and vice versa.  That's the beauty of cabling.  

Thank you for ending your post with, what I consider to be, the most annoying, misunderstood line in audio.  

@hifiman5, one more thing regarding your post, specifically your use of the word "faithfully". You say you want to transmit the signal as faithfully as possible. Ok. Faithful to what?

Let’s say you purchase a cd. You take this cd home and you want to get the music from the cd to your ears as faithfully as possible.
Great, however your very first link in the chain is adding its own sonic signature to the signal. Every step of the way, something is coloring the sound somewhat:

1) cd player/trasport
2) digital cable
3) DAC
4) interconnects
5) preamp
6) interconnects
7) amplifier

So, now hifiman5 wants to reproduce the signal as faithfully as possible. I ask again, faithful to what? The cd? Pa-lease. You’re already so far away from what’s truthfully on that cd that you cannot be close to it at all. The only thing you can be faithful to at this point is get the sound as close to what’s leaving the amplifier. Now, you want to add some boutique speaker cables between your amp and speaker to be "faithful" to the cd? Gimme a break.  The damage has been done. 

Something else just occurred to me. For the sake of argument, let’s use the number 100. It could be more, it could be less, but let’s just use 100.
Using the seven components I listed in my last post (transport, digital cable, dAC, interconnects, preamp, interconnects, amp), that means there could be as many as 700 different manufacturers of 7 different components in the chain. I don’t know how to do the math, but I’m assuming the possible combinations would reach into the billions.
Think about that.....
By the time the signal leaves the amplifier, it could, theoretically, have billions of different sonic signatures that differ from what’s on the cd. Now, hifiman5 wants to put a fancy speaker cable on the amp to be "faithful" to the cd?

This was my whole point from the get-go. I understand your point, hifiman5, but with all due respect, I think you failed to understand mine. "Faithful" goes out the window the moment the music sees the first link in the chain.  

Not to mention the speaker interaction with the amp.  You may have a speaker cable that's close to faithful of what's leaving the amp, but it may sound like crap going to speaker A, but on speaker B it sounds wonderful.  

So, finding a cable that works well with amp and speaker is the real goal.  

So devilboy... according to your position there is no faithful reproduction of music.  It will be colored by the very microphone and microphone cables as it is recorded.  No argument about that from me.  My point is all we can do in this endeavor of ours is to minimize the damage to the musical signal as it passes from one component to another and then ultimately to the transducers to which we listen.  Heck, many would argue that even hearing a performance live in a music hall of some sort is colored by the acoustics of the hall and your relationship to the hall based on where your seats are located within that venue.  This is on my mind as I just purchased tickets for a live show last evening and was thinking about how our location in that hall will impact our listening experience.

That's why (for instance) changing the wire in your speaker cabinet is like designing a new speaker.   I spoke to Vandersteen who agonizes over all the different wire that goes into his speakers to make them what he wants them to be.