Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Getting a demo of the CH Precision C1 DAC in a week at home. I will compare it to my Audio Note DAC 5 Special V2. Massively different designs so should be interesting.

I also have the AMR DP-777 DAC / Pre-amp which has an R-2R chip and for the money it is bang on, very smooth and non digital.

I have to admit I am an Audio Note fanboy but willing to be diverted if another DAC sounds right to me.
Ketch, thanks so much.  I'm not surprised at all.  The OSDE/SE is such an exceptional DAC to begin with.  Steven shared some of the upgrades he did and who time consuming they are.  It's a labor of love, that's for sure.  For those who want to get finally jump on board, getting an upgraded OSDX used is awesome as you can save a few dollars and enjoy a GREAT sounding DAC.  Very cool.
I have been pretty happy with Metrum's Pavane, which bests all the DACs and disc players I have owned or auditioned in my system.  I am interested in Metrum's new Adagio DAC, which reportedly goes beyond being simply a Pavane with volume control.

The volume control on the Adagio is implemented by changing the reference voltage of the dacs, which seems similar to the technology used by Empirical Audio for their volume control.  Metrum has modified the DAC boards and increased the maximum reference voltage by 3 times resulting in a reported noise floor of -155 dB and improved linearity.  The Adagio uses 30VA transformers for each channel  (double the Pavane)  and 16 ladder dacs instead of the 8 used in the Pavane.  

I look forward to hearing whether the DAC with volume direct approach will sound better than sending the signal through the AN tantalum resistors in the volume control of my zero gain, buffered preamp.  It would also be fun to try the Adagio with and without the Final Drive.
I look forward to hearing whether the DAC with volume direct approach will sound better than sending the signal through the AN tantalum resistors in the volume control of my zero gain, buffered preamp. It would also be fun to try the Adagio with and without the Final Drive.


Is the no gain pre-amp a passive or have valves as a buffer? I use a passive (pot and source switch only). It works really week, but the thing to watch is the DAC has;

1 Enough gain
2 The output impedance is low (less than 500 ohms) If it is higher along with capacitance in your interconnects you may get loss of dynamics and bass roll off. 
3 You can sit the DAC and Passive Pre very close to the Power Amplifier

I used to have a very good quality tubed pre-amplifier, but without it is faster, more dynamic, more focussed.

Yes, varying the reference current in the DAC chip is a wonderful and musical way to implement volume control in a DAC, if not a particularly new one. The Rowland Aeris implemented this very design as early as 2010... And Aeris has cured me from DACophilia nervosa... At least for the time being *Grins!*


G.