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When will we ever hear turntables demoed fairly?

To my amazement after 45years we still have no way of ascertaining the sound of turntable designs.Every stereo store has tables set up with different arms and different cartridges.How then is anyone to determine what is contributing to the sound when an apple is being compared to an orange and then to a pear.It's absurd and to make matters worse you are listening to different phono stages and amps and and speakers.If you can't isolate what is contributing to what what's the point.End of rant.

brucegel
terry9
2,354 posts
 
Set-up is probably more important than any other variable, because it's critical and invisible. Hence easily manipulated to maximize retail profit.

I can make a good MM sound far better than my big Koetsu, no problem. Just run the Koetsu 30 minutes of arc out of correct azimuth, 1 degree tail up, and half a gram too light. Now you can hear with your own ears that the highly merchandised table and inexpensive cartridge sound better than the exotics. Who but a sucker would pay big bucks?

inna
7,923 posts
 
Do you think that table/arm match is important too in addition to arm/cartridge match?  If it is, putting same arm/cartridge on different tables won't answer the question regarding table differences fully.

terry9
2,354 posts
 
Hello Inna. I have no opinion on that - I have neither the experience nor the theoretical framework.
inna
7,923 posts
 
Hello Terry9, nor do I have what could be called an opinion. Tom Fletcher did design his tonearms to be used with his turntables, but I heard that some people get better results, for them that is, by putting different arms on Nottinghams. But they also usually put heavy MCs in those arms, so it's a quite different set-up. Turntables are complicated, another reason why I very much prefer tape.
terry9
2,354 posts
 
The TF/NAS tonearm that I had from 1997 was the Mentor. One "set" the VTA by shoving the arm tube up or down in its socket, and fastening a grub screw. It was crude, and not repeatable. The tonearm may have worked well in theory, whatever theory that was, but, since it was virtually impossible to set up precisely, was a poor performer. IMO.

I finally got tired of the whole business and bought a Trans-Fi air bearing tonearm. Quell Difference!

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