@erik_squires
DG was way behind other record labels in digital technology, so their 1980’s recordings were in a word, terrible. These were their early CD releases which had all the bad digital characteristics such as harshness, glare and their technique of close-mic’ing the instruments gave a sense of a closed-in soundstage.
Such a shame, because there were so many great conductors and orchestras signed to their label. That’s why there are so many remasters of DG CD’s.
DG was way behind other record labels in digital technology, so their 1980’s recordings were in a word, terrible. These were their early CD releases which had all the bad digital characteristics such as harshness, glare and their technique of close-mic’ing the instruments gave a sense of a closed-in soundstage.
Such a shame, because there were so many great conductors and orchestras signed to their label. That’s why there are so many remasters of DG CD’s.