Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi

Frazeur1:  I questioned John's assistant about the positioning.  Mine are toed in as well, but not quite as much as the show pair.  He replied that they had spent a lot of time positioning he 1000s, and this was the best they could do.


I know for a fact that one fellow bought a pair of 1000s, taking advantage of the show special discount.  I wouldn't be surprised if he sold a few pairs.


As for letting everyone know Ohm is alive and well, Ohm does do a fair amount of targeted web advertising.  I think the press coverage, overall, was positive, and will be beneficial to Ohm.

Very good Bond! Who was John's assistant, did you get a name? Just curious.

Hopefully they did get some good sales as a result of their presence at the show.

Sorry, frazeur1, I cannot recall the young fellow's name.  But he looked to be in his 20s.

Mapman,

I have the newer cabinet in my Ohms. From what I can tell the older cabinets seem to be far better constructed than the new ones. When I replaced a can that was damaged during shipping I posted some photos of the interior of the newer cabinets. Honestly it is pretty low quality including the use of a cardboard tube for the bottom port. I don't think many $3k sets of speakers would use similar "technology." :)

Like you I am not getting sound that seems to come from the cabinet, but the super tweeter can be a bit directional at times. Do remember that as I have said in the past my last speakers were Magnepan 3.6 speakers. I am used to have a huge line source ribbon playing upper frequencies. The fact that a dome tweeter is able to be listenable in my system is a huge compliment to Ohm.

Martykl,

I agree with your point. There is no right or wrong on this issue and I think that is the issue that I have with many of these magazines. There seems to be an emphasis that there is a certain sound that is "high fidelity" and other sounds are present only due to some sort of "low fidelity" inferior design.

Like all speakers designs there are a series of choices made that result in a net sound that is liked by some and not by others.

Full disclosure: I am a rather "visual" person having made my living as an advertising photographer for decades. For me, the visual design of a product plays a role in how much I enjoy that product.

One reason I decided to audition a pair OHM 2000 speakers was their relatively unobtrusive and appealing shape. When they arrived I was dismayed by the lack of craftsmanship that was evident in the construction of the enclosure, particularly the look and "feel" of the veneer. Strictly DIY, I thought. I was surprised at how amateurish the finish work was.

I might have kept them if I’d loved how they sounded in my home, but I did not "fall in love." Furthermore, my wife, who is generally disinterested in my audio pursuits, simply could not listen to them. We’ve had Magnepans, and now have a pair of MMGs, and she (and I) much prefer their sound, even if the MMGs are not the prettiest , nor certainly the best-sounding speakers on this or any other block. Yes, the OHMs have more bass.

Eventually, and with a nod to all things aesthetic (again, for me), I purchased a pair of Sonus Faber monitors, which are lovely to behold, and not at all "bad" to listen to. :) I get almost as much pleasure from looking at them as I do from listening to them. :) The way they portray detail is damn close to some electrostatics I’ve heard but without any sense of the "clinical."

This is simply one man’s take. I really do "get" what the OHM thing is. They’re just not for me. If one loves how they present music, I’m sure it would be relatively easy to overlook the mediocre level of assembly craftsmanship.