I give you another example; Monitor Audio loudspeakers are made in China. The build a factory overthere. The have the stock still in England. It is about 30-40% cheaper no to create them. This gives us a better price for the speakers.
It effects labour in their own country.
The biggest problem in audio is that people build their system on trial and error. We think that this way we will get the sound we prefer and the best sound possible.
In real this doesn't make any sense at all. In real it is a very ineffective way of creating an audio system.
When you are not able to think and work in properties, you never will understand why the sound and stage is what you hear.
Even simple questions in our world could not be answered by many people who work their whole live in audio.
I give you an example: A person who is distributer of different highend brands. He sell speakers who also make loudspeakers of over 500.000 dollar.
I asked him the next question: Can you tell me which properties I take out when I replace your loudspeaker by the B&W 800D3? (we were talking about this speaker) And which properties you bring in when you connect the B&W?
He said: I don't know. So I said: This means that you don't have any idea why the stage and sound is what you hear?
He said: I think you are right. So I said: It is not about if I am right, you need to understand that the way you create audio is just a matter of luck.
Music is all about emotion. The emotion is inside the music. You need to understand how humans experience emotion in music. That is why we work by Tru-Fi. These are 8 parts you judge sound for. Each single part even infle\uences our emotion.
That is why each set created by Tru-Fi will outperform any set created by trial and error. And you know why?
Because it is more complete and owns a much higher level of emotion. This is choosen by each person. Because humans prefer a more emotional and intense sound.
The biggest problem in audio is that people build their system on trial and error. We think that this way we will get the sound we prefer and the best sound possible.
In real this doesn't make any sense at all. In real it is a very ineffective way of creating an audio system.
When you are not able to think and work in properties, you never will understand why the sound and stage is what you hear.
Even simple questions in our world could not be answered by many people who work their whole live in audio.
I give you an example: A person who is distributer of different highend brands. He sell speakers who also make loudspeakers of over 500.000 dollar.
I asked him the next question: Can you tell me which properties I take out when I replace your loudspeaker by the B&W 800D3? (we were talking about this speaker) And which properties you bring in when you connect the B&W?
He said: I don't know. So I said: This means that you don't have any idea why the stage and sound is what you hear?
He said: I think you are right. So I said: It is not about if I am right, you need to understand that the way you create audio is just a matter of luck.
Music is all about emotion. The emotion is inside the music. You need to understand how humans experience emotion in music. That is why we work by Tru-Fi. These are 8 parts you judge sound for. Each single part even infle\uences our emotion.
That is why each set created by Tru-Fi will outperform any set created by trial and error. And you know why?
Because it is more complete and owns a much higher level of emotion. This is choosen by each person. Because humans prefer a more emotional and intense sound.