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Request advice-need "brighter" speakers than Totem Hawks

Hi All-
Love the community here; first time poster.
My gear:
i have a pair of Totem Hawks, driven by Sim Audio W-5 amp and P-5 pre. I listen primarily to Redbook CDs via a Marantz SA8005. Cables are all Audience AU24SE. I listen both through a modded Eastern Electric DAC (op amp upgraded, tube removed) and direct from CDP to preamp (teensy sound difference between DAC/no DAC, if any). My medium sized room is pretty dead sonically (carpet, textile window coverings).

My Issue:
The high frequencies are uncrisp, rolled off severely, muted, and just lacking generally, especially on contemporary works (jazz, rock). I don’t hear cymbals, hi-hats, or rich, crisp snare drums (yeah, I’m a drummer). Listening to my favorite disks is a deeply disappointing experience, Though classical sounds ok to fine. I am thinking that I need brighter speakers than the Hawks (though there are numerous folks who extoll Sim Audio plus Totem speakers, something is not right. I do have a bit of hi-freq. hearing loss from playing percussion for over 40 years (amateur), but I’ve heard a number of less expensive systems that sound better to me. My first thought is to go for a used pair of B&Ws (CM5s?) or Vandersteens (assuming good WAF on the latter) to swap out for the Hawks. I’m on a budget, but am not above selling some of the current gear to pay for the right equipment.

I would love love to hear some suggestions or alternate diagnoses/ideas. I am not limiting myself to speakers; I’ve tried a bunch of different cables to no good effect. Analysis Plus silver cables, for example, were a disaster with this gear, for example, FYI. Thanks in advance for any sage thoughts you choose to offer. -Bruce


bheiman
kotta's avatar
kotta
649 posts
 
Hi Bruce. I've found w/speaker burn-in that the mids and lows develop more fullness/bloom. Haven't really noticed treble becoming more pronounced but certainly more refined and smoother. (You have to be patient and also not move cables around as they need to settle in if you know what I mean.) I've had much more issues w/brighter highs w/new equipment. I've always achieved better sound when I used bare wire connections on my amp/int. amps/receivers and speakers. Plug power equipment directly into electrical outlets. Been using Furutech entry level gold plated IEC's/AC plugs w/great improvement in sound quality. Made my own IC's using Neotech wire. (Used inexpensive RCA's.) What an improvement! I'm sorry you're having this grief. I can not tell you how pleased I'm w/my Dynaudio bookshelf speakers. They sound glorious but they needed LOTS of break-in. I have to say I have achieved a synergy w/my systems which is what you need to find. Be patient and the little things really do add up but my gut is telling me you may need to find new speakers. Bill.
jafant's avatar
jafant
20,529 posts
 
Welcome! bheiman,

you have assembled a very fine system. The Sim Audio gear and Audience cabling are perfect, sonic matches for each other- no issue there.

The best Totem speaker built was "The One".  You could seek that model out or you can try my reference- Thiel loudspeakers. Specifically, the CS 2.4, CS 2.7 or CS 3.7 (if you have a large to very large listening room).

These speakers will give you, like me, the natural timbre of percussion.
This line will not roll-off, sound muted nor lack energy.  Keep me posted as you audition speakers.

Happy Listening!
mb1audio
151 posts
 
" I switched back and forth several times to confirm my impressions. I conclude I had the speakers in phase alignment on my original setup. Whew. 

Thoughts?"

The easiest way to check if its right is to listen to music that you know has a strong center vocal image. If the speakers are out of phase with each other, the center vocal image will be coming from one of the side walls instead.

More break in won't fix the problem. If anything, it will make things worse. 

bondmanp
1,836 posts
 

I have heard many Totems, and except for the Element series, I would be hard pressed to come up with brighter speakers!  With that in mind, two wise-guy suggestions:


1.  Get an equalizer, and boost all the high frequencies as much as possible.

2.  Get a horn-loaded titanium tweeter, a resistor to shelter it from all those silly mid-range and bass frequencies, and enjoy the sizzle.


Sorry.  I couldn't help myself. ;-)

soix
10,356 posts
 
Been following this thread in sympathy both as an audiophile and as a fellow drummer.  I know exactly what you're talking about when it comes to reproducing cymbals, and I feel your pain. 

Given the relatively extreme nature of the issue and the equipment involved I'd tend to think there's a problem somewhere.  My first instincts are to check the speakers and source.  I know you said music sounds ok with classical, but have you actually put your ear to the tweeters to make sure they're both working and sound ok?  With the Marantz, have you checked all the settings (i.e. Volume set to "fixed," etc.)?

Assuming all this checks out, I'd stop screwing around and immediately do these two things.  First, I'd call totem and get their thoughts.  Second, if this doesn't help I'd find another pair of speakers at your dealer (preferably Hawks) that sound good there and borrow them to see how they sound at home (or, as a poor second option I'd bring mine there).  If they sound good in your room there's very likely a problem with your speakers.

If those speakers also sound compromised versus what you heard at the dealer then we're back to the drawing board, but at least you've ruled out the speakers as the problem, which is no small thing.  Best of luck and hope this helps. 

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