I had a client with 800D1, he owned Mark Levinson H33. It sounded dull. So I adviced him Pass Labs X600.5. They are a great match.
The Pass labs Labs X600.5 can build a very deep and wide stage. But with the DNA of the B&W the stage was still not that deep. This is a part no one can change.
B&W need new developers who are able to create better crossovers and drivers with a faster response. This is what you need to create a bigger and holographic huge stage. This will always be an essential part of highend.
I know many people with an expensive audio system who don’t take a 2 dimensional system serious either. For them as for me this has nothing to do with ’real’ highend.
The Pass labs Labs X600.5 can build a very deep and wide stage. But with the DNA of the B&W the stage was still not that deep. This is a part no one can change.
B&W need new developers who are able to create better crossovers and drivers with a faster response. This is what you need to create a bigger and holographic huge stage. This will always be an essential part of highend.
I know many people with an expensive audio system who don’t take a 2 dimensional system serious either. For them as for me this has nothing to do with ’real’ highend.