How do I power my 800D(3)s

I give you an example: we compared the Wilson Sasha with the Pl-200 of Monitor Audio. The Platinum could reveal information what was not obserable with the Sasha. Layers  in the low frequencies were missing, in the mid frequencies as well and also was there more information in the high frequencies with the Pl-200 II.

Read the next article. Stereophile had the gutts to compare it as well with Wilson Audio.

http://www.stereophile.com/content/monitor-audio-platinum-pl300-ii-loudspeaker#EZhdw8zA3rIifzwY.97

I have done many tests between speakers in stage depth. When you demo an acoustic song between a 2 dimensional stage and a 3 dimensional stage . Many of the people use the words; more emotional. When a voice gets a more 3 dimensional shape and there is more air around it the difference is how it influences people is huge.

Diversity in sound is the most important part in music to create emotion. So when you are able to create more diversity, you get a higher level of emotion.

When you create audio by trial and error you have no idea how the sound is being build. It will always be a big guess. The biggest limitation in audio are the acoustics. With S.A.P. we are far ahead of the rest. But this is not the only part. We can modify amp, sources and powersupplies to greate a higher level of diversity.

And again we can demo this by shootout. Audio is shootout.

In 2007-2009 I did run an audioshop. And I had a 2 dimensional system and a 3 dimensional system ready for shootout. The way people react had a big influence on me. This is the main reason why I stopped in 2009 selling 2 dimensional audio.

@bo1972

thanks for the link - very interesting - measurements look extremely good. I see that Monitor have a patent on a damping nylon ring that fits between the voice coil and driver. Similar purposes no doubt to accuton rubber dots on their drivers - to dampen unwanted ringing from rigid drivers no doubt.

I woukd not be so quick as to condemn Wilson - they have been around a while and might be doing something right with their choice of drivers and things some people can hear (not everything is 3D image - many factors are important in a speaker)

Many  audio reviews are paid, this way you will never get the right information about a product. In real we see and hear totally different results than the reviews.

And again.....what do you want to hear.....the truth or the thing you would like to hear?

3D sound is only possible when each part of a system is able to create it. This is why we only sell products which are able to create a stunning level in 3 dimensional stage.

The biggest limitation in audio is that most products are 2 dimensional. This counts for loudspeakers, amps and sources. 

Monitor Audio has the best technique in response and also in a very low level of distortion. This you can easily hear back in the sound.

An audio magazine will never give this kind of information because it can demage the sales of others. That is why money rules audio. When audio magazines would become more objective customers can get a much higher level in quality for the money they spend.

We are not there yet, even far from this. But I believe that this is the only way audio can survive in the near future. At the end people are prepared to pay money for quality. But when you only can get an average level, the  audiomarket  will decrease a lot more.  

With S.A.P.- measurement the stage becomes a lot deeper and wider, but still the DNA of the speakers, amps and sources are very important. When you own a system what creates a deep and wide stage, connect a 2 dimensional source and the stage depth is almost gone.

We have done many tests with sources and amps. The differences in stage depth and width are huge, These things you never read in the magazines. And they will never tell it, it will limit the sales of others.

My clients are only interested in products which are able to create a deep and wide stage. When you come from a 2 dimensional stage and went to a 3 dimensional stage. It influences your thoughts about audio completely.

I give you an example: when I give a demo, I love to send people to shops.(as many as possibe, because I want them to have a chanche to compare) Their reactions shows how big the influence is of people.

When you auditoned a  3 dimensional sound, you will never want to go back to any kind of 2 dimensional audio. This has nothing to do with taste, but is based on the human emotion. And again we can proof this by sound.