Anyone still using a Teres table?

I love it, Swampwalker! I still have fond memories of that table.

I want to try a mat, but I also want to continue using my clamp. I've thought about a custom cut Herbie's Grungebuster (and maybe having a custom cut piece to fit underneath the clamp as well). As I mentioned above, I'd really like to collect another platter to evaluate the differences. Not really interested in dumping my solid acrylic platter, though. I've got a OL Silver mk3 (I believe) and a Sound Smith Aida (love this cart).

I'm using the Teres hardwood clamp with the Extreme Phono carbon fibre donut. I took it off a few months ago and it sounded uptight, put it back on and everything came together again.

Hi:
I have a Teres 255 (Acrylic Lead Shots Platter) with custom made plinth. One of the best upgrades that I made to my system was to install a high performance arm (Teres Illius). Besides that I installed a crystal (Glass) mat. You can buy one for about $60 in Ebay. I feel an overall improvement. Subtle but noticeable improvements in highs and bass definition as well as  better instrument separation. When deciding about the glass mat I reasoned that if Brinkmann used this approach it will be worth.  Another plus is that looking at the platter from the top you can see the lead shots cups (which I liked a lot). The mat look like an integral part of the clear acrylic platter.

The only negative side is that the mat is about 6mm thick and I can no longer use the Teres clamp as a "clamp" because the threaded spindle did not reach the female thread in the clamp. I use it as a weight.

I built my first Teres, #13, back when it was a DIY project. That Teres now resides in Sweden with the daughter of the good friend it was sold to some years ago.

My second and current Teres I built right at the close of the Teres DIY era as the project was being taken private by Chris Brady, and Thom Mackris spun off and formed Galibier. It has a 3" clear plinth to complement the 3" thick clear lead-loaded platter as well as a clear cantilevered arm platform. Visually it is very striking and it sounded great from first play.

Over the years I’ve added parts courtesy of Harry Weisfeld so that today my Teres sports a VPI two-motor flywheel rim drive controlled by an SDS, VPI periphery and center clamps, and a VPI JMW 12.5 arm with a Dynavector XV-1S. I also added industrial air-bladder suspension and an intermediary layer of sorbothane pucks as additional vibration damping. Each of these additions improved the already excellent performance of the original Teres, and I think it is still competitive with current turntables. But I might be prejudiced as one of the original Teres DIY design team.

Thanks for an evocative thread. Some very good memories and an awful lot of great music has been played by that ’table over the years.

Steve Z

Hi Steve!

It's been a while!  Feel free to give me a call sometime (# on the website).  I'd love to catch up.

Much of the back story has been lost over the years, but Steve was a key contributor as one of the original "Teres-5".

Cheers,
Thom @ Galibier Design