Need help with DIN to RCA phono cable troubleshooting


Somehow, I am currently having an issue with an apparent ground problem with my DIN (female five pin straight connector) to RCA phono cable. The arm is a Dynavector 501 mounted on a custom plinth, supporting a Garrard 401 table.

There is a reduction in overall volume, bass frequencies are MIA, and this is all accompanied by a loud hum. I have tried doing a continuity test from a spare headshell to the ground cable, and RCA terminations. I can't tell where the ground was interrupted, I need guidance in how to test for proper continuity in relation to signal and ground leads. Also, I don't know where the shielding should be connected, so a thorough explanation will be needed.

 Thanks for any help that can be given.
 Regards,
 Dan
islandmandan
While the above discussions make me to feel like a mental midget, I am happy to report the problem turned out to be a bad rectifier tube in the power supply section of my Modwright SWP 9.0 SE phono stage.

The comments posted above will be great reference material should I ever turn to balanced connections in my analog front end.

Thanks for all the input, regards,
Dan

Atmasphere, Our great teacher Dover deed not comment on my

question about possible benefit of the symmetrical connection.

As I mentioned before there is no consensus about this ''benefit''.

To put this otherwise: there are many who believe that there is

no difference in sound. You are an expert in symmetrical amps

so you should explain those benefits in the context of  ''full

symmetrical phono-pre'' which is much more expensive to make

because on need twice as many components than by single

ended phono-pre. If this is correct than the ''argument'' about

the price of single ended cables is circular. What one may save

on cables one will lose on the amp.

BTW I also own Klyne 7PX 3.5 which has very good reputation.

This amp is single ended because Klyne is one of those who does

not believe in ''symmetrical advantage''.

so you should explain those benefits in the context of  ''full

symmetrical phono-pre'' which is much more expensive to make

because on need twice as many components than by single

ended phono-pre. If this is correct than...[snip]

It isn't. It does not take twice as many components. That is a popular myth.

What one may save on cables one will lose on the amp.

Its hard to put a value on that if performance and the best sound is your goal so I regard  this as a bit of red herring. We simply did the balanced phono section because it sounds better.

I don't think there is room for 'belief' when it comes to the advantages of balanced operation. The benefits have been well-documented and understood for decades. IOW its not a matter of belief. Its a matter of knowledge. If someone tries running balanced and does not get superior results, there are some variables- chief amongst them in high end audio is the simple lack of understanding among many designers that there is actually a balanced standard.

Dover deed not comment on my question about possible benefit of the symmetrical connection.

Correct (I added that part); my intention was in correcting statements which did not seem factual:
Nandric - for all phono both balanced and unbalanced the arm earth ( 5th pin ) should be a separate wire which you connect to preamp chassis.
In this case above, a balanced system does not employ the ground wire as its built-in to the XLR connection. It becomes a separate wire when the cartridge (which is a balanced source) is operated single-ended. You have to do something with the ground (the tone arm itself, which is shielding only) and so it gets connected to the chassis.

-and in the same post, above:
XLR's have a separate -ve signal and earth/ground in a balanced system. Therefore you only need to ensure the shield is connected to the earth/ground pin which is already separated from the -ve signal. The tonearm end is left floating ( not connected ).  
The problem I had here is the tone arm ground should be tied to the shield of the interconnect and then to pin 1 of the XLRs. Its not common practice to leave the arm tube floating as is suggested in this quote.

I suspect that this was not what he mean to say, but that is what was written.