REL Strata III repair issue

frogman,

an update? boodledude offers sound advice.

Hi frogman,

I read recently about internal vibrations causing stress fractures of PCB traces in subwoofers. The way that REL attached the power supply board at a 90 degree angle supported on only one side, leaving the heavy assembly unsupported on the other makes this a viable diagnosis.

Back in my PCBA days, engineers often used what was called "blue wires" to bypass faulty PCB traces in prototype and early production PCBs, making it possible to complete design verification or to simply consume existing inventory to support customer demand while the PCB manufacturer corrected the issue in future lots.

It boils down to soldering small gauge wire from component leg to component leg thus bypassing the faulty trace internal to the PCB. This should be relatively easy on the REL’s power PCB due to the circuitry simplicity of the PCB, the widespread use of pin-though-hole vs SMT components, and the fact that the PCB is single sided with access lands at the ends of most traces.

A good electronics technician with adequate soldering skills and a schematic should be able to identify the problem traces/solder joints and apply blue wires where necessary.

Dave

Thanks all for your responses.  Update:

I now have the Strata in a secondary system using an inexpensive outboard amp/xover (NHT).  Getting pretty good (not great) results and the jury is still out on the fate of this Strata.  

Dave, thanks for your thoughts; I will have a local tech check the defective amp module.  Further update:

I have bought a pair of REL Storm III subs as I have always wanted to try stereo subs.  Well, everything they say about stereo subs is true: smoother, less lumpy bass, improved dimensionality and absolutely huge soundstage among other benefits.  So far, I am very pleased with the results, but am trying to diagnose a potential problem with one of the subs.  Although there is no sign of distortion or strange sounds of any kind, one of the subs gives noticeably less output (or has lower input sensitivity) than the other.  For the same level of output that one sub provides with the volume knob at the 2/3-3/4 mark, the other needs to be almost maxed out.  I plan on swapping out the amp modules to make sure that the issue is not with the speaker itself as opposed to the amp module.  I contacted REL about this and they tell me that as long as the sub provides  undistorted sound that there is nothing that they can do; it either works or it doesn't !?!? Thoughts?

I understand your issue completely, frogman. I initially bought one REL Stadium III (cherry finish) and some time later decided to try two. A seller had two black-finish Stadium IIIs for sale for a good price so I bought both since they would match.

One of the black pair responds differently to crossover/volume adjustments than the other (and to the cherry one). I learned to just ignore the marks on the back plate when setting the knobs for lack of a better remedy. I am not any more comfortable with this than you are.

Also had one crap out with symptoms similar to yours. I stole the electronics from the cherry one and swapped it into the offending black one, the cherry one now is an (expensive) podium for the components in my vintage system. So, I have a vested interest in your experiences with correcting the problem(s) with your first sub. Interestingly, the one that crapped out is the one that had the setting variances to the other two.

BTW - the improvements you describe from adding the second sub mirror mine.

Dave

Interesting that you should experience the same issue, Dave.  My two subs came from different sellers and from a cursory examination of the modules it is obvious that, while they are the same design, they are of different vintages.  I removed the modules shortly after receiving them and was able to compare, but didn't swap them at the time as I wanted to first have a better sense of what was happening sonically with each.  I do find it strange that, even if the one that gives less output, is operating "normally" and the difference was a deliberate design change, that it would mean that the volume would have to be almost maxed out in the context of a system that is pretty conventional.  My Manley tube monos currently drive a pair of fairly easy to drive and efficient transmission-line Paragon Regents.  Is it possible that since the Paragons don't need much power to get them going, that the RELs then don't see sufficient current; hence the need to turn the volume way up with the High level input?  Like you, my ears tell me that the xover frequency selector switches are calibrated differently in each sub.  This does affect the perceived output; still.....,  I also think that, while subtle, the lower output sub's sound has slightly less impact and definition.