Single mike recording is not the same thing as monophonic playback, which blends the lateral information into a single source of sound.
One microphone captures the spatial information (distances from the microphone) most accurately if done correctly, vs multi-mike recording where the mixing/mastering engineer (hopefully) blends multiple microphone tracks to simulate correct placement of the instruments (this is called "mixing"), too often using artificial reverb or other techniques to do so.
Try Cowboy Junkies, "The Trinity Session" to see what I mean. A single-miked live recording (using only a Calrec Ambisonic microphone and mastered but not mixed), yet anything but monaural. If your system does not demonstrate the effects of what I am describing, it is not reproducing depth and spatial information very well. How important or even whether this is important at all to an individual listener is not the subject of my posts.
Another great test is the Opus 3 Test Record 1: Depth of Image (CD 7900) and also available on LP IIRC.
Dave
One microphone captures the spatial information (distances from the microphone) most accurately if done correctly, vs multi-mike recording where the mixing/mastering engineer (hopefully) blends multiple microphone tracks to simulate correct placement of the instruments (this is called "mixing"), too often using artificial reverb or other techniques to do so.
Try Cowboy Junkies, "The Trinity Session" to see what I mean. A single-miked live recording (using only a Calrec Ambisonic microphone and mastered but not mixed), yet anything but monaural. If your system does not demonstrate the effects of what I am describing, it is not reproducing depth and spatial information very well. How important or even whether this is important at all to an individual listener is not the subject of my posts.
Another great test is the Opus 3 Test Record 1: Depth of Image (CD 7900) and also available on LP IIRC.
Dave