Boulder monoblock 2150


Looking at the new Stereophile Magazine. Has anyone noticed the "32 Amp IEC Cord" on the back of the amplifier?  

N
nutty
Agree.  

Anyone find interesting Boulder's comments about the use of feedback?  Anyone know what they are doing different such that they claim to avoid the alleged ills it causes?
Agree.

It is interesting where these things can lead though....

Audiophiles tend to be well educated and a pretty level headed bunch overall I think.    Except for when it comes time to obsess over sound quality.  ;^)    Not an easy thing to find sometimes.
I’ve heard Boulder amps once, with larger very nice Avalon speakers.

It had a unique intriguing midrange detail and presence, like some ARC and VAC and Atmasphere amps I’ve heard.

My audition was short so just an initial impression.

I don’t know what they do different or better or not relating to feedback.
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One reason very wealthy people rarely have a high-end system may be that they aren’t as passionate about music as are we. I got my first better-than-normal system because I heard music played through the one of a friend, and it radically improved the most important thing in my life---music. How many people these days care about music the way we do? I never saw any of the characters on Seinfeld (or any other TV show---the barometer of where our culture is) listening to music. Normal people (my sisters, for instance) think nothing of spending a coupla grand on a large screen, but that much on a "stereo"? Whatta ya, nuts?!

But that doesn’t explain why musicians generally have terrible---and I mean absolute garbage---systems, if they have one at all. One exception is, surprisingly (to me, at least), Henry Rollins (Black Flag, etc). He has a nice little system ;-) he bought from Brian Berdan at Audio Elements in Pasadena: a pair of Wilson Alexandria XLF, VTL Siegfried electronics, SME table with Graham arm and Lyra pickup (I believe), Cardas cables, etc., installed in an acoustically treated room. Not bad for a punk!