Jazdoc, This last post of yours probably makes the most sense of all, and I agree with you 100%.
We all seem to take some different routes, and some are quite truly "unique", or really "odd" routes I note of other "vinylphiles". Just like our audio gear, I can wholly understand the "relativity" of everything audio, and how each, and every one of us have different systems, different aspirations, and goals.
There's those, who are big vintage fans, with a Garage Sale Table for $15. Then there's those, who went all the way to the "Walker" route.
I can of course understand as well, those wishing to experiment with those Partridge Family, and Milli Vanilli Records. In most eyes. they're no loss.
Yet, I don't understand the "few" who shorchange themselves, after buying a $1400 VPI 17F, then resort to Dawn Liquids, and Kodak Photo Flo as a cleaner, and see the truly good commerical, award winning brands as snake oil? Mark
We all seem to take some different routes, and some are quite truly "unique", or really "odd" routes I note of other "vinylphiles". Just like our audio gear, I can wholly understand the "relativity" of everything audio, and how each, and every one of us have different systems, different aspirations, and goals.
There's those, who are big vintage fans, with a Garage Sale Table for $15. Then there's those, who went all the way to the "Walker" route.
I can of course understand as well, those wishing to experiment with those Partridge Family, and Milli Vanilli Records. In most eyes. they're no loss.
Yet, I don't understand the "few" who shorchange themselves, after buying a $1400 VPI 17F, then resort to Dawn Liquids, and Kodak Photo Flo as a cleaner, and see the truly good commerical, award winning brands as snake oil? Mark