Feedback through turntable

Todd, I learned of roller bearings from audiophile recording engineer Barry Diament, a leading proponent of them (using them under every piece of his gear, even his Maggie MG 3.7’s!). He had his own "cups" machined locally years ago, and on his website blog details their design. Contributors on his site have offered their homemade versions of the isolators, usually of very low cost with a corresponding reduction in effectiveness (due to the softness of the bearing cups, often of plastic, wood, or cheap pot metal).

There have been a few professional/commercial companies making roller bearings over the years, most famously Symposium Acoustics with their Roller Block, it’s cups machined from aluminum. The Jr. model is the best deal, a trio of 1-7/8" double-cups with a half inch ball bearing between the upper and lower cup, priced at $180/set. The major difference between Diaments design and the Symposium Jr. is in the Jr’s use of top and bottom cups, in contrast to Diaments preference for a single cup, with the ball bearing itself in direct contact with the bottom of the component.

There is a small company in Canada making two versions of a roller bearing, Ingress Audio Engineering. Their Model 2 is identical to the Symposium Jr, just without the Jr’s black anodized finish, priced at $120 for a set of three double-cups with ball bearings. They also offer their Model 3, made to Diaments specs, a single 1-7/8" Alcoa 7075 aluminum cup with a very large 2" diameter "bowl" machined into it. The gentler slope of the bowl resulting from it’s larger size results in the bearing having a lower resonant frequency, therefore possessing greater isolation properties. The cups are also polished to a smoother finish than are the Model 2. The Model 3 sells for $175 for a set of three cups and ball bearings. The Ingress email is ingressaudio@gmail.com, phone number (519)981-2031.

My main listening room is on the second floor, carpeted on a suspended subfloor