@frogman
machine drummers do not sound as good as a great drummer because they are precise and have no feel or groove.
Moving the beats around and away from the precise metronomic time is what gives the rhythm a unique pocket feel. Of course a groove once laid down must be repeated or looped so the imperfections in time from a metronome must be consistent from bar to bar (without consistency it just sounds sloppy)
I can provide more examples but regrettably I don't think a non-musician has much chance of grasping it. I encounter it all the time when playing a cover and trying to mimic a particular groove created by a drummer. The subtle adjustments in time that give a groove a particular pocket feel are one of the hardest aspects of drumming. Some tracks are done to a metronome (a lot of music theses days) and producing a machine metronomic sound can be a challenge too but it never sounds "in the pocket" as there is no feeling. Suprisingly, dynamics also play a role in pocket feel as the dynamics of each beat in a bar and where emphasis is placed will also define the feel of the groove. In the pocket drumming requires a consistent repeated dynamic variation through the bar as well. Just a simple change such as dropping the 1 or emphasizing the 3 over 2 and 4 creates a half time or reggae feel.
machine drummers do not sound as good as a great drummer because they are precise and have no feel or groove.
Moving the beats around and away from the precise metronomic time is what gives the rhythm a unique pocket feel. Of course a groove once laid down must be repeated or looped so the imperfections in time from a metronome must be consistent from bar to bar (without consistency it just sounds sloppy)
I can provide more examples but regrettably I don't think a non-musician has much chance of grasping it. I encounter it all the time when playing a cover and trying to mimic a particular groove created by a drummer. The subtle adjustments in time that give a groove a particular pocket feel are one of the hardest aspects of drumming. Some tracks are done to a metronome (a lot of music theses days) and producing a machine metronomic sound can be a challenge too but it never sounds "in the pocket" as there is no feeling. Suprisingly, dynamics also play a role in pocket feel as the dynamics of each beat in a bar and where emphasis is placed will also define the feel of the groove. In the pocket drumming requires a consistent repeated dynamic variation through the bar as well. Just a simple change such as dropping the 1 or emphasizing the 3 over 2 and 4 creates a half time or reggae feel.