ctsooner,
I forgot to respond to the last part of your post where you stated:
" Yes, I like how Vandersteen runs his subs by taking the signal from the mains the way he does and crossing over where he does do the sound of the bass is consistent with the sound of the main speakers. I also like the idea of having a semi active speaker like the Quatro on up. If done properly, it also will relieve the main amp from having to run anything from 100 or so down and that helps the amps sound better as they aren't having to deal with the bass load which is very difficult for any amp. Lot's more dynamics current available for the mids which folks don't realize is where a ton is needed on transients."
I don't disagree with anything you said. I think your point about reducing the main amp's bass duties so they can sound better and have better dynamic range is important.
I've never actually heard the Vandersteen Quatros but, from the pro reviews I've read and from your comments, I consider them very high quality speakers. I'm glad you're enjoying them and I have no desire to convince you of anything except the benefits of a good DBA.
In fact, with a powered sub already existing in your room inside each Quatro, perhaps you would only need 2 more subs to reach the required 4 sub minimum for a DBA in your room. A pair of carefully positioned Vandersteen WQs, combined with the pair of subs in your Quatros, may result in a very high quality DBA in your room.
I chose a somewhat different approach in my room. I read some information from acoustical engineers that suggested, for best reproduction of the entire audible frequency range, any system should be constructed based on how various sound wave frequencies will interact with the room. They explained how bass sound waves interact and propagate within any given room very differently from how mid-range and treble frequencies do so. Basically, the lower the frequency the longer the sound wave produced. All sound waves are going to be reflected by room boundaries (walls, ceilings and floors).
The only known and proven method for significantly reducing bass standing waves caused by the very long bass frequency sound waves reflecting off room boundaries and crashing into each other is the use of 4 or more bass sources (subs) in a DBA system. This will provide very good bass response throughout the entire room.
Unfortunately, the much shorter mid-range and treble frequency sound waves also bounce off room boundaries and cause standing waves. But there's currently no known method for significantly reducing mid-range and treble standing waves so that very good mid-range and treble frequency response can be achieved throughout the entire room.
The only currently known solution is to optimize mid-range and treble response at a single listening position or sweet spot. This is done via speaker positioning and angling as well as room treatments (absorbing and diffusing panels) at critical reflection points. The goal being that direct mid-range and treble sound waves launched from the speakers arrive at the chosen sweet spot location before (even milliseconds before) the reflected sound waves arrive.
Because of the above, these acoustic engineers advise constructing a system from the bottom up. First get the bass foundation right by installing a DBA consisting of at least 4 subs. Then get the remainder of the frequency range right by installing your speakers of choice and optimizing their positioning and angling and room treatment for a given listening position 'sweet spot'.
I followed this advice, installing the Debra's 4 subs for optimized bass response first and then positioning my Magnepan 2.7qr panels for optimum mid-range and treble response at my listening position.
This works very well in my room and your method seems to be working very well in your room.
We both did well!
More than 1 way to skin a cat, right?
Tim
I forgot to respond to the last part of your post where you stated:
" Yes, I like how Vandersteen runs his subs by taking the signal from the mains the way he does and crossing over where he does do the sound of the bass is consistent with the sound of the main speakers. I also like the idea of having a semi active speaker like the Quatro on up. If done properly, it also will relieve the main amp from having to run anything from 100 or so down and that helps the amps sound better as they aren't having to deal with the bass load which is very difficult for any amp. Lot's more dynamics current available for the mids which folks don't realize is where a ton is needed on transients."
I don't disagree with anything you said. I think your point about reducing the main amp's bass duties so they can sound better and have better dynamic range is important.
I've never actually heard the Vandersteen Quatros but, from the pro reviews I've read and from your comments, I consider them very high quality speakers. I'm glad you're enjoying them and I have no desire to convince you of anything except the benefits of a good DBA.
In fact, with a powered sub already existing in your room inside each Quatro, perhaps you would only need 2 more subs to reach the required 4 sub minimum for a DBA in your room. A pair of carefully positioned Vandersteen WQs, combined with the pair of subs in your Quatros, may result in a very high quality DBA in your room.
I chose a somewhat different approach in my room. I read some information from acoustical engineers that suggested, for best reproduction of the entire audible frequency range, any system should be constructed based on how various sound wave frequencies will interact with the room. They explained how bass sound waves interact and propagate within any given room very differently from how mid-range and treble frequencies do so. Basically, the lower the frequency the longer the sound wave produced. All sound waves are going to be reflected by room boundaries (walls, ceilings and floors).
The only known and proven method for significantly reducing bass standing waves caused by the very long bass frequency sound waves reflecting off room boundaries and crashing into each other is the use of 4 or more bass sources (subs) in a DBA system. This will provide very good bass response throughout the entire room.
Unfortunately, the much shorter mid-range and treble frequency sound waves also bounce off room boundaries and cause standing waves. But there's currently no known method for significantly reducing mid-range and treble standing waves so that very good mid-range and treble frequency response can be achieved throughout the entire room.
The only currently known solution is to optimize mid-range and treble response at a single listening position or sweet spot. This is done via speaker positioning and angling as well as room treatments (absorbing and diffusing panels) at critical reflection points. The goal being that direct mid-range and treble sound waves launched from the speakers arrive at the chosen sweet spot location before (even milliseconds before) the reflected sound waves arrive.
Because of the above, these acoustic engineers advise constructing a system from the bottom up. First get the bass foundation right by installing a DBA consisting of at least 4 subs. Then get the remainder of the frequency range right by installing your speakers of choice and optimizing their positioning and angling and room treatment for a given listening position 'sweet spot'.
I followed this advice, installing the Debra's 4 subs for optimized bass response first and then positioning my Magnepan 2.7qr panels for optimum mid-range and treble response at my listening position.
This works very well in my room and your method seems to be working very well in your room.
We both did well!
More than 1 way to skin a cat, right?
Tim