I first started this game with Proac EBS Studios back in er ... a long time ago!. 1977??
They were driven by Meridian 101 and 105 monoblocks and the sound was great. Eventually I went totally Meridian and via numerous changes ended up with the top of the range Meridians 861 processor and 8000 speakers in a fully blown surround system.
This of course was an excellent sound but something was missing and I bought the B&W 802d v2. This was a huge improvement over the 8000s and with analogue was pretty close to perfection with my Bryston sp2 processor and excellent Linn/Tom Evans etc etc set up.
Digital however was so harsh that I just couldn't cope so I sold th 802s and bought the Proac Carbon 8s at a good price. I now have Carbon 8s at the front, D28s sides (upgraded from D15s) (and B&W old dalek style 802s as rears totally for visual effect!) and Response horizontal centre. I have a second system in my office
Proac 3.8 fronts, the huge 3.5s as sides and my good old EBS Studios as rears
I have just bought a pair of 2.5s to compare and maybe mix around.
Coming to a point in all of this - I was so shocked (pleasantly) when I hooked up my old EBS Studios that I wondered what all the fuss was about re being up to date. They really are superb and the older type of sound really took me back to the past. Older sound, but not necessarily worse.
For an outlay of around £100 I could get a 101 and 105 and transport myself back to my youth and have a great sound too.
Regarding point maybe number 2, I believe the new B&W 802dv3 have dealt with the harsh issues and I would say that their imagery and clarity is better than the Proacs, IF indeed that harshness really is remedied. The Carbon 8s are precise and clean and I suppose more rounded and musical, but I can get all that from the rest of my system so it is not so imperative overall as maybe the benefits the 802dsv3 can give.
Oh and lastly ... messing around with cables and characteristics of those at a higher end makes a HUGE difference too, so you can tweak your Proacs somewhat
They were driven by Meridian 101 and 105 monoblocks and the sound was great. Eventually I went totally Meridian and via numerous changes ended up with the top of the range Meridians 861 processor and 8000 speakers in a fully blown surround system.
This of course was an excellent sound but something was missing and I bought the B&W 802d v2. This was a huge improvement over the 8000s and with analogue was pretty close to perfection with my Bryston sp2 processor and excellent Linn/Tom Evans etc etc set up.
Digital however was so harsh that I just couldn't cope so I sold th 802s and bought the Proac Carbon 8s at a good price. I now have Carbon 8s at the front, D28s sides (upgraded from D15s) (and B&W old dalek style 802s as rears totally for visual effect!) and Response horizontal centre. I have a second system in my office
Proac 3.8 fronts, the huge 3.5s as sides and my good old EBS Studios as rears
I have just bought a pair of 2.5s to compare and maybe mix around.
Coming to a point in all of this - I was so shocked (pleasantly) when I hooked up my old EBS Studios that I wondered what all the fuss was about re being up to date. They really are superb and the older type of sound really took me back to the past. Older sound, but not necessarily worse.
For an outlay of around £100 I could get a 101 and 105 and transport myself back to my youth and have a great sound too.
Regarding point maybe number 2, I believe the new B&W 802dv3 have dealt with the harsh issues and I would say that their imagery and clarity is better than the Proacs, IF indeed that harshness really is remedied. The Carbon 8s are precise and clean and I suppose more rounded and musical, but I can get all that from the rest of my system so it is not so imperative overall as maybe the benefits the 802dsv3 can give.
Oh and lastly ... messing around with cables and characteristics of those at a higher end makes a HUGE difference too, so you can tweak your Proacs somewhat