Placement tips for Synergistic Research HTFs


I just bought 15 HTFs and will also be making about a dozen of Ozzie's homemade models.  While I will re-fresh myself with SR's placement tips, and I get that I will have to do some experimenting to tailor the HFT effect to MY listening room; are there any "Advanced HFT Placement Tips" some of you would like to share with us?  Something that might be overlooked by many of us?  Or maybe, just a good rule-of-thumb tip for someone just starting to use these?
The tips could be tips for bring out more highs, solidifying the bass response, placement hi vs low, in front of vs behind speakers, on side walls, at reflection points, behind the listener, on the ceiling above the equipment or above the listener, on the equipment.
Any ah-ha that you would like to share?  I would also be very interested in hearing from people using Magnapans.

toolbox149
Ya gotta love love it when one person without moral scruples pats another one on the back. Like peas and carrots.

abnerjack,

I’m glad you liked my postings. Loved your comments and your story -- great fun and spot on. When geofflait has only this to respond "Ya gotta love love it when one person without moral scruples pats another one on the back. Like peas and carrots." ... then you know we’re hitting the poor nail on the head and are having a great time in the process. Lol. But I am very sorry to hear that you have no moral scruples, abnerjack. Not good.

Concerning the OP, let’s look at the risk/reward ratio by examining the math for "tiny cheap knock off" resonators. Let’s say you want to start off with what SR calls 5-packs. Let’s say you want to do 4 levels. That means 20 HFTs -- at a cost of $1,200 to $2,000 -- or $2,000 for the folks selling their "tiny original maximum $100 resonator cups". It will cost you about $20 to put 20 of your own together. You just saved yourself from $1,180 to $1,980. OK -- let’s say it takes double the number to get the job done. Well, you’re 20 bucks poorer -- while saving thousands, once again.

The math tells us that the risk/reward ratio is a no-brainer -- unless you are not the DIY type, unless you trust that spending thousands on "original" resonators will get you results that are far better than "cheap knock offs" -- justifying the outlay of big bucks -- or unless money is no object.

For the average audiophile on a limited budget, may I suggest that trying the "tiny cheap knock off" option is a viable alternative that can reap stunning results if done well. I suggest getting creative to help improve the SQ in your system. What have you got to lose?
How about a big group hug and try to move on? How about this? Can anyone explain in the paragraph I posted yesterday from 6 Moons why Franck Tchang specifically pointed out he measured the spectrum of radiation effects for his tiny little bowls as high as 3 GHz? Also, why he pointed out that the radiation he was referring to was not distance dependent? You know, since everybody and his brother knows that audio frequencies go up to what, 20 kHz or maybe 30 kHz, give or take, AND that acoustic waves actually *diminish* in amplitude according to distance. You remember, our old friend, the inverse square law.
Yeah, I'm at a loss, though I've spent maybe 10 minutes thinking about it. My only guess is that it relates to the electromagnetic radiation spectrum. As far as I know, that's the only thing at high enough levels to be worth trying to attenuate, as well as being able to pass through walls and refrigerators