It’s because a simple low order output filter can take the amps full power, but it’s effects reach down into the audio band and still leave some switching noise left overs, hence the need to take it up much higher as Technics did with far higher switching frequencies, so they can be effectively removed, without effecting the audio band.
These days when Stereophile tests a Class-d amp, they put on an external output filter, the Audio Precision’s AP0025 filter, which has a -50db rolloff after the audio band so the 1khz square waves look half decent without the switching noise embedded right across it, (good for sales) 10khz square wave still looks a mangled mess though, trouble is this AP filter can only take very low power, would be real nice to leave it in to listen to, but it would blow up in a micro second.
http://www.stereophile.com/content/class%C3%A9-sigma-2200i-integrated-amplifier-measurements#31YFAPfYVDGeowzZ.97
And yes steeper filters as you said do have their own set of problems re sound, as ML found out with their No.53 monoblocks.
Cheers George
These days when Stereophile tests a Class-d amp, they put on an external output filter, the Audio Precision’s AP0025 filter, which has a -50db rolloff after the audio band so the 1khz square waves look half decent without the switching noise embedded right across it, (good for sales) 10khz square wave still looks a mangled mess though, trouble is this AP filter can only take very low power, would be real nice to leave it in to listen to, but it would blow up in a micro second.
http://www.stereophile.com/content/class%C3%A9-sigma-2200i-integrated-amplifier-measurements#31YFAPfYVDGeowzZ.97
And yes steeper filters as you said do have their own set of problems re sound, as ML found out with their No.53 monoblocks.
Cheers George