Teo Game-Changer IC's - get on the bus!


I wrote an extremely long review of 4 cables auditioned in my system recently. I pontificated for way too long and it was more an outlet for me to tell a story that cables do matter and how much each design can make your system sound. The last cable through was the Teo GC IC purchased here and it truly was a game-changer in how it shifts our paradigm about what wire gives us as "truth" and what this slurry of Ga-In-Sn can do better (IMO). Not a technical review but an emotional roller coaster through 4 different topologies:

Ribbons
Graphene
Multi-strand
Liquid

I'm happy to re-broadcast that here but it is very long (6+ MSWord pages long). I'll point to it for now and take your advice.

Bottom line is the GC cable is truly stunning in what it can do and for us mere mortals who cannot spend thousands on cabling, I believe it can elevate anyone's system to new heights.

http://www.audiocircle.com/index.php?topic=148932.0

Pete
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The Teo combo Splash/GC is the best IC's I have ever had in my system.  It wasn't so with just the Splash alone.  But once I added the GC and got around 100 hours on them, well, it was really a game changer, especially after 100 hours.  
Simply awesome @kclone - enjoy your bliss!

Re-discover your music collection and don't be shocked if you say things like, "Wow, I never heard that before," or "Jeez, I never really listened to the drums on this album before, but now that I see the entire drum kit..."
These IC's are balanced, spacious, airy, very live sounding, and well extended without being harsh, yes even on dry, hard, bright recordings.    Those recordings still sound inferior, but you can still enjoy them at a decent volume without wanting to leave the room.  For good material, simply outstanding.   For the record, I am using the Triode Wired Labs Obsession power cords on my amp and pre.  TWR are great PCs for sure.
It is connected to the fluid being a superior material in the complex impedance area of dynamic distortions being added to signals. This is the ’action’ point of audio cables.

Since the fluid cannot ’add’ such distortions and all wire does add those distortions, especially when you crank the signal levels...this explains your ability to have air and space at the same time it never goes harsh like wire does. Or that the ’wire’ system (non fluid wire cables) is so damped and dark it obscures signal along with the seeming fix.

Which leads to the known circular argument of always changing your wire loom to try and fix a problem ~which is endemic to the wire itself~. It simply can’t be done.

Only the fluid metal gets you past this point (when wire/solids are applied to audio signal scenarios).

This seems like a ludicrous statement on the face of it, but once the wire has been compared to the liquid metal- by an observant listener-... it all becomes quite obvious.

When people try the Teo audio cables they tend to get off the cable merry-go-round.

To add, single simple permanent solutions are not generally desired in a marketing system. Merry go rounds are more desirable.