Balanced v unbalanced input to Ayre preamps


I've been using unbalanced connection between an Oppo 205 and Ayre K-5xeMP preamp, but wonder if the sound with balanced might be superior.  According to Oppo Tech the sound with the balanced or unbalanced outputs from the 205 should be identical, presumably at reasonable cable lengths.  But is the same true with Ayre preamp inputs?  

I'm hoping to replace the K-5 with a KX-5 Twenty to match my VX-5 Twenty amp; the KX-5 has more balanced inputs.  An Ayre C-5xeMP and Sony HAP-1ES use the two balanced inputs of the K-5. 
Ag insider logo xs@2xdbphd
And, it is so nice not to have to worry about buying expensive balanced interconnects.
Bob
IIRC, when I was a grad student working in a psychoacoustics lab during the 60s, 600Ω was the standard.  And then came the DEC PDP-11 lab computer.

db
600 ohms is still the standard in recording studios, at least according to Tim de Paravicini, designer of the EAR-Yoshino electronics and many pro studio installations (including Pink Floyd's London one).
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600 ohms is still used, on account of the fact that there is still a lot of vintage professional gear in service, in fact many studios like to advertise that they have such (tube) equipment. So usually modern gear is designed to support that operation in the studio. We built that capacity into our balanced preamps as well.