John Atkinson's thoughts on the New Vandersteen System Nine from LA Show


I have read JA's outstanding reviews of Vandersteen speakers for years, but this is the first time he's heard their new System Nine.  Please read all the way down as Fremer mentions the late AJ Conte's outstanding TT:  Enjoy

From JA:
The first room I went to at the 2017 LAAS was that hosted by LA dealer Optimal Enchantment featuring a system based on Vandersteen's Model Seven Mk.II speakers ($62,000/pair) and M7-HPA amplifiers ($52,000/pair), which I reviewed in May 2016, this time reinforced by a pair of Vandersteen's SUB NINEs operating below 100Hz. It may have been the first room I visited but as good as many other systems sounded, they didn't match what Vandersteen refers as System NINE for its effortless sweep of sound, precise, palpable imaging, and smooth yet detailed high frequencies. On the title cut from a test pressing of Dave Brubeck's Take Five, the reverb surrounding Joe Morello's drums in his solo was more audible than I hear from my own system and the textures of his cymbals were superbly well differentiated.

The rest of the system comprised Audio Research Corporation's REF-10 phono preamplifier and line stage, with isolation stands and bases from Harmonic Resolution Systems (HRS) and cabling and power-line conditioning by AudioQuest—a Niagara 7000 for the amplifiers and Niagara 5000 for the front-end components. But it is the LP player in this room that drew visitors' attention.

image: https://www.stereophile.com/images/060217-Basis-600.jpg

Michael Fremer shared my enthusiasm for the sound in this room, which had LPs played on the late AJ Conti's Transcendence turntable with the Super Arm fitted with a Lyra Atlas cartridge. In Mikey's words: "This turntable is the acrylic-free, minimal-plinth design I always hoped AJ would design and build."


Read more at https://www.stereophile.com/content/jas-final-report-2017-laas#mX8Fja9AgBY4SDyp.99
ctsooner
@prof
JA is a funny guy. He’ll call one speaker deliberately altered which isn’t, but others with demonstrated treble issues "neutral"

It’s more complicated than merely more treble. The Stereophile involves not only exaggerated treble but also a couple of big bumps.

https://speakermakersjourney.blogspot.com/2016/05/stereophile-reviews-data-doesnt-lie.html

Best,

E
JA also did a particularly bad review of the Crystal Cable Minissimo. In addition to just half- .... er, phoning in the review, he ignores the manufacturers recommendation for placement, ignores his own measurements which show that his alternative placement was not working, and also claims they played around with the treble balance, which was not in evidence in the data.

I can’t imagine some one with that much experience doing all of this for the sake of objective reporting.

https://speakermakersjourney.blogspot.com/2016/09/stereophile-slanders-crystal-cable.html

As a speaker designer myself, I’d be livid, but also, most laymen wouldn’t see the issues I did.
I won't get into the politics of it all as it's not always pretty (but can be depending on who you may deal with), but I've said for years that designers are voicing their speakers in a way I described above.  Vandersteen and Avalon before him, never do that/did that. Real world listening and anechoic chamber listening are also totally different as you know Erik.  

There needs to be a balance to get things right in an every day environment, but the problem to ME, is that we have these references forced down out throats by the pubs/bloggers and so many don't go to enough live performance's or they just listen to others and not their ears. 

Thanks for sharing likes to support what you are sharing.  Makes it much easier to understand.  I'm much more in your camp IRT the manipulated curves.  That's just the way audio is and always has been.  Folks are told what to believe and most don't fully trust their own ears and so many rarely, if ever go to live events. Even at live events, it may be at a venue with crappy sound (so many are).  

You get used to what you own and that's what counts.  Folks always say how happy they are, but Audiogon proves that most aren't.  I look back at my last 5 years in audio and asked myself if I'm being a hypocrite by saying that as I've changed every component in my own system during that time frame.  

Went from a new system of Vandersteen Treo's (now own Vandersteen Quatro's), Music Hall DAC/headphone amp (then to the Empirical Audio ODSE/SE and now the Ayre QX5/20), Ayre AX7e integrated (then the Ayre AX5 and then upgraded to the 20 version).  Music server is the fully rebuilt (by Steve Nugent) Mac Mini with Paul Hynes LPS.  Bought a Basis 1400 TT (just sold it to a friend) and an Aesthetix Rhea Phono pre stage completely rebuilt and updated by Jim White's team (about to put it up for sale).  

I need to get out of Vinyl due to health reasons (can't get up and change albums ever 20 minutes), but I've stayed with the same company for my changes and all were major upgrades that I expected to do when I got my new system 5 years ago.

I don't feel the need to tune with new cables or anything else.  I did go from a Synergistic Research Powercell 10 mk 2 Tesla power conditioner to the new Audioquest Niagara (yes, putting the SR power cell up for sale too, lmao).  I have had all balanced AQ cables and when I did the A/B testing, felt the Niagara was better for my system in my room.

In my ears I trust, lol. Interesting where the thread is going.  
@erik_squires From what I can tell a lot of (if not most) reviewers (including JA) have significant hearing loss in the high frequencies.  Given this, it makes it really difficult to discern much from most speaker reviews.   That's besides the ridiculous fawning for the big speaker advertisers in most magazines.  Somehow every speaker from these advertisers sets a new standard in something or other.  Can't say I blame the magazines since these guys pay the bills, but it guts the credibility of any review regarding those manufacturers.
JV is known for this in Absolute Sound. Every review the product brings out things he's never heard before. I could vomit.