Jerry Garcia, A Legacy?


Unfortunately, many years have passed since Jerry Garcia engaged in the art of music making. I've never known of another electric guitarist who could incorporate without clear and cut demarcations the many multitudes of rock and roll, folk, jazz, blues, bluegrass, country, explorational real time composition, sustain induced psychedelic developments Be it partially safe to say also that I've yet to know of another electric guitarist whose playing was either loved or scorned to the extent that his was. Throughout my life as a Dead fan and follower of Jerry Garcia and of his various musical projects, I remember verbal battles with musicians who found JG's playing less enlightening than I and often my comments turned into vicious polemics defending the Grateful Dead' artistic integrity. Granted, JG did have many obvious musical hurdles during performances and didn't exhibit a typical so called pristine guitar playing technique but first and foremost consider that he played mainly rock and popular music (to make a point), on mainly an electric guitar, with a pick and 4 fingers, using electronic components on stages inside theaters, OK get real! Does Hiram Bullock posses the same technical polish as Julian Bream? The answer to that is a resounding no, neither did Jimi Hendrix and it's really of no consequence anyhow. What I very much loved about Jerry Garcia was that he placed musicality before entertainment and he took on a sense of risk, even danger, in order to help elevate the other playing musicians around him. Yes, Jerry Garcia's playing often ran hot and cold but when his playing ran hot, the rest of the Grateful Dead or Jerry Garcia Band would rise to a whole new level and when he ran cold, it had tenuous effect on the other participating musicians. I have to attribute Jerry Garcia's heightened level of ensemble cooperation to the way he listened intently with creative imagination, to his sensitive and tasteful playing, to his getting out of the way when the band needed space and to the degree of his vast musical knowledge that he gave away freely whenever the opportunity presented itself. From a subjective perspective while disregarding controversy, the music and persona of the Grateful Dead and of Jerry Garcia touched an enormous fan base which exhibited a degree of loyalty and dedication beyond compare. Many of the kids that I grew up with disliked the Grateful Dead and I would make the radical assumption that they still do. I don't mind bucking the trends and I'll even take a little pride in my prophetic wisdoms. How about you??
128x128goofyfoot

The idea that technical proficiency is the enemy of soulful music is a very common one. It is also mistaken. Danny Gatton produced far more fire than do less proficient guitarists. Ry Cooders ability at bottleneck slide guitar playing is legendary amongst other guitarists, slide playing very hard to do well. The lack of a certain degree of skill leads to less moving music, not more. Unless Punk is the only kind of music you like.

It’s true that musicians who focus on developing chops for chops sake often make dry, boring music. But that’s not because of the chops, but rather that those chops are not used in the service of making moving music. On the other hand, lack of technical ability can prevent a musician (or singer) from being able to produce an emotional response in an audience. Ry’s solo in John Hiatt’s "Lipstick Sunset" is my favorite guitar playing in recent memory, and Ry is able to play music that well for two reasons: his superb musicality and taste, and his ability to play slide guitar as well as he does. Both are necessary---lacking either, that level of music making would not be possible.

But the problem I have with Garcia is not the result of any lack of technique. It is his lack of musicality, his inability to play music that I find satisfying, a thing hard to quantify. More technique would not change that---he would play the same notes, just a little "better" ;-). He would write the same songs, with the same not-very-good (imo) chord sequences, melodies and harmonies, and arrangements. He would still do those long jams, in the same aimless, rambling, boring way. But that, as all things musical, is just a matter of taste. It’s no different than food and beer---I like Italian and German, respectively, others may prefer Mexican and British. It’s all good!

By the way, Brian Wilson’s understanding of music theory, a form of technical proficiency, was absolutely required, and patly responsible, for him to be able to write the incredible songs he did. "God Only Knows" is as sophisticated as a lot of Classical music. Yet, to put things in perspective, during the recording of the ultimately-shelved Smile album, he had a Beethoven Symphony playing on his outdoor speakers as he and his brother Carl floated in his pool one night. At it’s conclusion, he said to Carl "It’s nice to know you’re a musical midget". Talent is relative. But it is important to remember that Brian's knowledge of music theory only enabled him to write as well as he did; there are others with similar knowledge who have never written a song anywhere near as good as "God Only Knows". By the way, Paul McCartney said he considers it the best song ever written. Me too. 

If any other guitarist where recorded as much as Jerry, you would be critical of them as well. Jerry took playing beyond what most would do and did it better than most. His creativity was beyond reproach and he never boxed himself into one genre. I dare say he was one of the greatest.

His thousands of hours of recordings prove it for anyone who has ears and a heart.
I think it's fair to say Jerry's strengths and weaknesses are at extreme ends of the chart.  He has thrilled me and also bored/disappointed me at different times.  I do think he was "leaving it on the playing field" whenever he played so I don't think there was a lack of effort.   One of my favorite Garcia tracks is his steel guitar part on David Crosby's "Laughing" ("If I Could Only Remember My Name" LP).  It is otherworldly IMO.



If if you boiled Jerry’s best playing down to 24 hours most would say that he was one of the best. But, because there 10 of thousands hours of his playing are available, with most being live in the moment, it is not all perfect. Most guitarist have maybe 24 hours of recordings of their music, with most of that being studio perfected takes. When they do play live, and it is recorded, it is the same solo day in and out. So, to the listener it often sounds perfect. Let’s then not compare apples to oranges.