Jerry Garcia, A Legacy?


Unfortunately, many years have passed since Jerry Garcia engaged in the art of music making. I've never known of another electric guitarist who could incorporate without clear and cut demarcations the many multitudes of rock and roll, folk, jazz, blues, bluegrass, country, explorational real time composition, sustain induced psychedelic developments Be it partially safe to say also that I've yet to know of another electric guitarist whose playing was either loved or scorned to the extent that his was. Throughout my life as a Dead fan and follower of Jerry Garcia and of his various musical projects, I remember verbal battles with musicians who found JG's playing less enlightening than I and often my comments turned into vicious polemics defending the Grateful Dead' artistic integrity. Granted, JG did have many obvious musical hurdles during performances and didn't exhibit a typical so called pristine guitar playing technique but first and foremost consider that he played mainly rock and popular music (to make a point), on mainly an electric guitar, with a pick and 4 fingers, using electronic components on stages inside theaters, OK get real! Does Hiram Bullock posses the same technical polish as Julian Bream? The answer to that is a resounding no, neither did Jimi Hendrix and it's really of no consequence anyhow. What I very much loved about Jerry Garcia was that he placed musicality before entertainment and he took on a sense of risk, even danger, in order to help elevate the other playing musicians around him. Yes, Jerry Garcia's playing often ran hot and cold but when his playing ran hot, the rest of the Grateful Dead or Jerry Garcia Band would rise to a whole new level and when he ran cold, it had tenuous effect on the other participating musicians. I have to attribute Jerry Garcia's heightened level of ensemble cooperation to the way he listened intently with creative imagination, to his sensitive and tasteful playing, to his getting out of the way when the band needed space and to the degree of his vast musical knowledge that he gave away freely whenever the opportunity presented itself. From a subjective perspective while disregarding controversy, the music and persona of the Grateful Dead and of Jerry Garcia touched an enormous fan base which exhibited a degree of loyalty and dedication beyond compare. Many of the kids that I grew up with disliked the Grateful Dead and I would make the radical assumption that they still do. I don't mind bucking the trends and I'll even take a little pride in my prophetic wisdoms. How about you??
128x128goofyfoot
I think it's fair to say Jerry's strengths and weaknesses are at extreme ends of the chart.  He has thrilled me and also bored/disappointed me at different times.  I do think he was "leaving it on the playing field" whenever he played so I don't think there was a lack of effort.   One of my favorite Garcia tracks is his steel guitar part on David Crosby's "Laughing" ("If I Could Only Remember My Name" LP).  It is otherworldly IMO.



If if you boiled Jerry’s best playing down to 24 hours most would say that he was one of the best. But, because there 10 of thousands hours of his playing are available, with most being live in the moment, it is not all perfect. Most guitarist have maybe 24 hours of recordings of their music, with most of that being studio perfected takes. When they do play live, and it is recorded, it is the same solo day in and out. So, to the listener it often sounds perfect. Let’s then not compare apples to oranges.



Those who like to knock the musicianship of Jerry and company forget their body of work consists primarily of live shows, and there were mistakes and miscues. Listen to any of their studio work and it’s polished--as any group’s songs would be rehearsed, re-done, on tracks, etc.
The GD weren’t all the best players, but they invented the "jam band" rock genre. Listen and watch them playing outdoors at Columbia University on 5-3-1968. A lot of the kids didn’t know what to make of it--they were hearing Tommy James and Gary Puckett on the radio then, and here’s Jerry, holding forth with improv jamming that no one was doing then. He was very good early on--drugs wore him down later in life.
If you like the 2 1/2-minute song, stick with the Beach Boys. They were good at what they did, as well. Danny Gatton and many others were/are great, but for those of us who aren’t stuck to technique and proficiency, it’s often the whole presentation that captures us emotionally. I could not pick the best song ever written--too much to like, but really, bdp--go that Columbia U. concert and then tell me Jerry wasn’t a pioneer, and get back to us here--thanks!   https://youtu.be/zq8sp6WF3bQ  
Personally, I had a hard time seeing Jerry during his declining health so I stopped going to shows and I'm still kicking myself as a result. What  stands out for me is how Jerry could improvise, taking everyone on a journey and without a second thought, change direction and take everyone to an unfamiliar but sacred destination. At that point, the message was clear to all and the message was personal to all. Everyone understood the journey and everyone understood how we landed on sacred ground.
To the credit of the Grateful Dead, they never stopped taking risks, risks that other groups would never attempt. There was always a sense of danger. For GD, it was about growing and evolving with the audience as one massive collective consciousness. The audience felt what the band felt and vice versa.