Jerry Garcia, A Legacy?


Unfortunately, many years have passed since Jerry Garcia engaged in the art of music making. I've never known of another electric guitarist who could incorporate without clear and cut demarcations the many multitudes of rock and roll, folk, jazz, blues, bluegrass, country, explorational real time composition, sustain induced psychedelic developments Be it partially safe to say also that I've yet to know of another electric guitarist whose playing was either loved or scorned to the extent that his was. Throughout my life as a Dead fan and follower of Jerry Garcia and of his various musical projects, I remember verbal battles with musicians who found JG's playing less enlightening than I and often my comments turned into vicious polemics defending the Grateful Dead' artistic integrity. Granted, JG did have many obvious musical hurdles during performances and didn't exhibit a typical so called pristine guitar playing technique but first and foremost consider that he played mainly rock and popular music (to make a point), on mainly an electric guitar, with a pick and 4 fingers, using electronic components on stages inside theaters, OK get real! Does Hiram Bullock posses the same technical polish as Julian Bream? The answer to that is a resounding no, neither did Jimi Hendrix and it's really of no consequence anyhow. What I very much loved about Jerry Garcia was that he placed musicality before entertainment and he took on a sense of risk, even danger, in order to help elevate the other playing musicians around him. Yes, Jerry Garcia's playing often ran hot and cold but when his playing ran hot, the rest of the Grateful Dead or Jerry Garcia Band would rise to a whole new level and when he ran cold, it had tenuous effect on the other participating musicians. I have to attribute Jerry Garcia's heightened level of ensemble cooperation to the way he listened intently with creative imagination, to his sensitive and tasteful playing, to his getting out of the way when the band needed space and to the degree of his vast musical knowledge that he gave away freely whenever the opportunity presented itself. From a subjective perspective while disregarding controversy, the music and persona of the Grateful Dead and of Jerry Garcia touched an enormous fan base which exhibited a degree of loyalty and dedication beyond compare. Many of the kids that I grew up with disliked the Grateful Dead and I would make the radical assumption that they still do. I don't mind bucking the trends and I'll even take a little pride in my prophetic wisdoms. How about you??
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bdp24, I can't let you get away with what you said.  When the Dead really clicked, no other band in the world comes close.  They didn't always click.
bdp24, I have to disagree with you about "Sgt Pepper's Lonely Hearts Club Band".  My reason has to do with the time it was released.  The very first day it was released, we listened to it, until we knew all the words.  It also was so different from any other album that had been released before, that it was unbelievable.
I don't know what it is, bdp24, but I would have to disagree with you about The Band, having seen them and the Dead on New Years Eve at the Civic.  While the Dead's Thursday show was otherworldly(Lesh, in the second set, was bouncing bass notes off the top of the vertical wall very far away.)..  When the Dead started to play after The Band finished, you could tell the Dead were in a completely different category.
ethiessen1, towards the end, the Dead were listening(to each other?) through headphones, and that may account for them not playing together as much.
mmakshak, I saw the Dead many times, The Band only once. The Band under poor circumstances, it was outdoors, so the sound was hard to judge, but the performance was excellent. I imagine the show you saw, the crowd was there for the Dead, so the energy would have been directed to them. There was nothing like a Dead show. I was at a show where they finished the second set with "Not Fade Away". The band left the stage and 38,000 Deadheads just kept on singing the chorus, until the band came back.The scene in the parking lot, well pre "Touch Of Grey" was always fun. The sound of nitrous tanks hissing, the smell of food cooking, and patchouli. I don't like crowds, but I always felt content and comfortable with those people.
I remember reading when Dylan toured with the Dead, he showed up, played and left. He didn't socialize or communicate with the Dead. Listen to the Last Waltz, or any of the other Band albums. Both bands were very good in there own right.
Like I said in my earlier post, we all have different tastes, and music is not just a technical exercise, The Dead, for those of us, who got it, there was nothing else like it.I had seen  them three times, and it wasn't until the third show that I got it. After that I tried to never miss a show in a three state area. Very few bands could, or would play a 4 day run, without repeating a song.
It would have been nice if this could have been a topic shared by fans, but there are always people who feel the need to prove that there taste in music is superior. If I saw a topic on a band I had no use for, I wouldn't post, I probably wouldn't bother reading it, but that is me. Over the years I have been pleasantly surprised at how many audiophiles are also Deadheads. Especially since we spent years listening to second and third generations cassettes.I still have about a hundred tapes, but no working deck. I'm waiting for the day when they release my favorite show. One of the few shows where Jerry played "Believe It Or Not". There was nothing like a Grateful Dead show;-)