Jerry Garcia, A Legacy?


Unfortunately, many years have passed since Jerry Garcia engaged in the art of music making. I've never known of another electric guitarist who could incorporate without clear and cut demarcations the many multitudes of rock and roll, folk, jazz, blues, bluegrass, country, explorational real time composition, sustain induced psychedelic developments Be it partially safe to say also that I've yet to know of another electric guitarist whose playing was either loved or scorned to the extent that his was. Throughout my life as a Dead fan and follower of Jerry Garcia and of his various musical projects, I remember verbal battles with musicians who found JG's playing less enlightening than I and often my comments turned into vicious polemics defending the Grateful Dead' artistic integrity. Granted, JG did have many obvious musical hurdles during performances and didn't exhibit a typical so called pristine guitar playing technique but first and foremost consider that he played mainly rock and popular music (to make a point), on mainly an electric guitar, with a pick and 4 fingers, using electronic components on stages inside theaters, OK get real! Does Hiram Bullock posses the same technical polish as Julian Bream? The answer to that is a resounding no, neither did Jimi Hendrix and it's really of no consequence anyhow. What I very much loved about Jerry Garcia was that he placed musicality before entertainment and he took on a sense of risk, even danger, in order to help elevate the other playing musicians around him. Yes, Jerry Garcia's playing often ran hot and cold but when his playing ran hot, the rest of the Grateful Dead or Jerry Garcia Band would rise to a whole new level and when he ran cold, it had tenuous effect on the other participating musicians. I have to attribute Jerry Garcia's heightened level of ensemble cooperation to the way he listened intently with creative imagination, to his sensitive and tasteful playing, to his getting out of the way when the band needed space and to the degree of his vast musical knowledge that he gave away freely whenever the opportunity presented itself. From a subjective perspective while disregarding controversy, the music and persona of the Grateful Dead and of Jerry Garcia touched an enormous fan base which exhibited a degree of loyalty and dedication beyond compare. Many of the kids that I grew up with disliked the Grateful Dead and I would make the radical assumption that they still do. I don't mind bucking the trends and I'll even take a little pride in my prophetic wisdoms. How about you??
128x128goofyfoot
So nice to see so many passionate opinions concerning Jerry and the Grateful Dead. A legacy absolutely. But, it's his ensemble playing within the context of the dead as whole as well as the songs and lyrics written by him and Hunter. Weir and Barlow as well. The songs will live at least several generations after everybody in the band is dead and gone. That the dead didn't listen to eachother is taken out of context. If, it was during space. I mean jeez that was one of the main things that was/ is so freaking cool about them is the group jamming together. An psychic connection that created a circuit extending to the audience with everybody playing in the band and feelin it

I got got to meet and record Levon, Rick and Richard on several occasions during my college years at New Paltz. They were the house band at the Getaway Inn and often played at the Horsmen's Saloon, too.  I also was able to record The Band a few times. Their music Is very dear to my heart and I cherish the times and memories. That being said, if judged by their live shows, they had great moments as well as some forgettable ones.

The issue here is that the Dead's catalog is 99 percent live. As I have already stated, f any bands worth, genius, or merit were only based on listening to their live concerts, I think you would be less impressed, or at least bored after a few concerts.

The Dead seldom bored anyone and impressed most. And, that is after thousands of live concerts. Most bands do the same show and play the same licks day in and day out until they have their 20 song concert down. The Dead had about 120 or more songs they could pull from on any given night and the playing for each song could vary in a small way or a very big way.


The thing about the Dead is that they were an experimental band live, so it's going to be hit and miss from song to song and from night to night.  Experiments sometimes blow up in your face, but when all goes right it's worth the risk. 
As for their studio stuff--yes, the singing is an acquired taste and not everyone's cup of tea, but I think it's a shame if a rock music fan doesn't like American Beauty or Workingman's Dead.  I don't think it reflects badly on them, it's just too bad because I believe there's so much there to enjoy.  And I feel the same about Sgt. Pepper's, Pet Sounds, Smile and the first two LP's by the Band.  I don't put all of these on the same pedestal but they're all extraordinary albums IMO. 
Anyway, the Dead, live--always on the edge, rolling the dice and willing to take a percentage of the bad with the good.  That's part of what made them special and part of why even fans might not want to hear everything they did.  I know the band members owned up that they sometimes stunk so I don't know why any fans should have a hard time admitting it.
Did Jerry Garcia leave a legacy?  More appropriately, did the Dead??  I think so - definitely.  While based strictly on definition the word "legacy" doesn't automatically connote anything of value, I do see the JG/GD contribution to popular music in a positive light.  Others have already done a good job explaining why.  Let me add (I think not previously mentioned) they were innovators in the studio and on stage...talking electronics and sonics not just musical experimentation.  

I'm not a Deadhead by any means but, in my O-pinon, if any other band released just 3 albums the quality of American Beauty, Workingman's Dead and Mars Hotel, those alone would have ensured it a positive reputation of the highest order.  Same applies to the song-writing talents of Garcia/Hunter as evidenced on those albums. 

If JG/GD are to criticized, it's best directed at a lack of self-editing given their enormous and uneven (mostly live) output. 

To bdp:  Don't forget who Jack Frost turned to for song-writing collaboration.
The 3 albums mentioned by ghosthouse are also my favorites by the Grateful Dead. I saw them live once and JGB live once and that was enough. I liked the energy and the crowd watching. Live music is good live but rarely do the recorded concerts make it to my collection.