Interesting how we all view a situation differently. To me being able to audition a speaker in my home with my electronics without having to pay the dealer 40% markup and sales tax is a win. In my opinion the risk is less than guessing if I may like a speaker in my listening space after hearing it somewhere else with foreign electronics, source, and music. If you don't end up loving that choice you are quickly out 50% of your purchase price and then have to take the cost and effort to sell and ship them (and hope Fedex/UPS doesn't damage them). The Tekton/Spatial/Vinnie Rossie model makes the most sense to me...Everyone is different.
Tekton Double Impact & Comb Filtering
Like many of you, I have been pondering purchasing these speakers but am very curious about the unusual tweeter array. I asked the smartest speaker person that I know (he is a student of Sean Olive) about the design and below is what he had to say.
"In theory it could work, but the driver spacing means that the crossover point would need to be very low.
He is using the SB acoustics tweeter which is 72mm in diameter, center to center on the outside opposing drivers is around 5.7 inches, which is about 2400Hz. This means that combing would stop between 1/4 to 1/2 of the wavelength (between 1200-600Hz) is where the outside tweeters should start playing nice with each other.
Since he is not using low enough crossover points he has created a comb filtering monster. Now while it's not the great point source that was promised, it's no worse than most line arrays and the combing will average itself out given enough listening distance.
The MTM spacing on the other hand is ridiculous. Hopefully he is cutting the top end off on one of those midrange drivers to avoid combing."
"In theory it could work, but the driver spacing means that the crossover point would need to be very low.
He is using the SB acoustics tweeter which is 72mm in diameter, center to center on the outside opposing drivers is around 5.7 inches, which is about 2400Hz. This means that combing would stop between 1/4 to 1/2 of the wavelength (between 1200-600Hz) is where the outside tweeters should start playing nice with each other.
Since he is not using low enough crossover points he has created a comb filtering monster. Now while it's not the great point source that was promised, it's no worse than most line arrays and the combing will average itself out given enough listening distance.
The MTM spacing on the other hand is ridiculous. Hopefully he is cutting the top end off on one of those midrange drivers to avoid combing."
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- 362 posts total
- 362 posts total