stfoth
Geoff--Perhaps this has been adequately and succinctly discussed elsewhere, but, assuming all cables are inherently directional with sound differences from one way to the other, what might be some reasons someone, with a good trained ear with a highly resolving setup and with no skin in the game, wouldn’t be able to hear a difference?
--I’m not trying to bait you. I may be a skeptic, but I’m genuinely interested.
>>>>>Of course you would expect a better chance of success when all the variables are under control. So, the question is how many VARIABLES are involved in what might appear to be a simple and straightforward test of fuse or cable directionality? You mentioned THREE, well, actually FOUR variables already, making my job easier 😀 - a trained ear, system set up and resolution (actually two different things, since there can be errors somewhere in the system unbeknownst to the tester, e.g., out of phase, out of absolute polarity, etc.), and motivation of the tester (does he have an axe to grind, is he a manufacturer?). By the way, who determines whether a particular system is resolving enough, the tester? The last time I checked all audiophiles thought their systems were highly resolving. 😛
I would add to the list of variables, (1) whether the tester followed instructions correctly, (2) whether the tester’s hearing is impaired for some known or unknown reason, (3) whether the tester is "psyched out" by the pressure of having to get results and or publish them on this site or a victim of the dreaded reverse expectation bias 😁, and (4) the recordings used for the test - for example, many CDs are in reverse absolute polarity or aggressively compressed. I suppose you can add time of day and weather conditions and things of that nature to the list of variables. Probably others, too. With so many variables involved, you can see why I say, in the context of so many positive results, it’s probably best to just throw out the negative results. They are outliers.