I lived with a set of F's for a year in the 70s. Like most others, I became "imprinted" with the stunning 3-D imaging, smooth frequency response, and wide sweet area.
There were other speakers with more brightness and detail, but at moderate volumes (70-80db) for long periods of time, to my ears, nothing compared to the F's.
I recently learned that Ohm sell their latest drivers for many of their older models. Being well aware that the new drivers are not the same design as the original F Walsh, I talked with John Strohbeen about my experience with the F's.
John never said that the new models were the same as the F's. He did say that in some ways, they were better, and that I should listen to them for myself. Not an unexpected response from the designer and owner of the company, but what was the risk to try... shipping them back if I didn't like them.
I found a set of FRS-11s on eBay for a good price and ordered the 200 Series 3 upgrade.
I perceive the "color" of the sound to be somewhat different than the original F's. I think this is the subjective part that each listener has to evaluate individually. To my ears, the results are still very pleasant.
On the first few tracks I listened to, it seemed to me like the bass was restrained. Then I listened to a well recorded track with loud and deep bass content and I felt the old Ohm punch again. I had forgotten what playback without over-emphasized mid-bass sounded like.
Since the room they are in has an irregular shape and is half-open to living space behind, the bass response varies according to listening position. As you might expect, the more enclosed parts of the listening space have louder bass. I may add a subwoofer to the open part of the listening space for better bass balance across the entire width of the listening room.
These speakers do not provide intense focus and detail. Decades ago, we used to call that a "bright" or "West Coast" sound. I always found it somewhat unrealistic and tiring after an hour. To me, the color of a live performance has always been driven by the acoustics of the room. I perceive these speakers as very realistic in comparison to live performances. As an example, I compare the sound of voices from the speakers to the sound of voices from people speaking in the room.
What I think I enjoy most is walking across the room and hearing the 3d image shift as it would for a live performance. After almost 30 years, it's a return to speakers that give the experience of "being there".
It's been almost a month, and I'm very happy with the results.
There were other speakers with more brightness and detail, but at moderate volumes (70-80db) for long periods of time, to my ears, nothing compared to the F's.
I recently learned that Ohm sell their latest drivers for many of their older models. Being well aware that the new drivers are not the same design as the original F Walsh, I talked with John Strohbeen about my experience with the F's.
John never said that the new models were the same as the F's. He did say that in some ways, they were better, and that I should listen to them for myself. Not an unexpected response from the designer and owner of the company, but what was the risk to try... shipping them back if I didn't like them.
I found a set of FRS-11s on eBay for a good price and ordered the 200 Series 3 upgrade.
I perceive the "color" of the sound to be somewhat different than the original F's. I think this is the subjective part that each listener has to evaluate individually. To my ears, the results are still very pleasant.
On the first few tracks I listened to, it seemed to me like the bass was restrained. Then I listened to a well recorded track with loud and deep bass content and I felt the old Ohm punch again. I had forgotten what playback without over-emphasized mid-bass sounded like.
Since the room they are in has an irregular shape and is half-open to living space behind, the bass response varies according to listening position. As you might expect, the more enclosed parts of the listening space have louder bass. I may add a subwoofer to the open part of the listening space for better bass balance across the entire width of the listening room.
These speakers do not provide intense focus and detail. Decades ago, we used to call that a "bright" or "West Coast" sound. I always found it somewhat unrealistic and tiring after an hour. To me, the color of a live performance has always been driven by the acoustics of the room. I perceive these speakers as very realistic in comparison to live performances. As an example, I compare the sound of voices from the speakers to the sound of voices from people speaking in the room.
What I think I enjoy most is walking across the room and hearing the 3d image shift as it would for a live performance. After almost 30 years, it's a return to speakers that give the experience of "being there".
It's been almost a month, and I'm very happy with the results.